“Meticulously curated, artfully rearranged, exceptionally performed…the songs are the main characters in an ensemble journey” Review of Soulpepper’s “The Golden Record”
“Is it possible to appraise items obtained through a relationship and, in the process, better understand the relationship itself?” Review of Haley McGee’s tour-de-force “The Ex-Boyfriend Yard Sale”
An epic longform review for an epic double-bill of “Queen Goneril” and “King Lear” at Soulpepper
“They are survivors: damaged, resilient and beautiful souls whom we root for. Their story of intergenerational trauma proves emotionally harrowing, but unexpectedly redemptive and hopeful…” Scott Sneddon’s review of “Where the Blood Mixes”
“The Home Project is such a gift to be expressing vulnerability in creation with the support of each other.” Interview with Cheyenne Scott & Courtney Ch’ng Lancaster about The Howland Company’s new multidisciplinary show, The Home Project, created in collaboration with Native Earth Performing Arts and presented in partnership by Soulpepper
“…as an integrated experience, this is a masterwork: intense, devastating, surprisingly funny…” Scott Sneddon reviews Secret Life of a Mother
Three Ships Collective’s immersive and impressive “A Christmas Carol” is back at Campbell House Museum. The revival brings the fantastic talents of Kat Letwin to the ensemble.
“There are parts of Stella’s nature … that are challenging aspects of female humanity to reveal as an actress, especially in our current social-political climate of female empowerment.” Interview with Leah Doz in Soulpepper’s A STREETCAR NAMED DESIRE
Our conversation with Cara Gee about her return to the stage in Soulpepper’s FOOL FOR LOVE, the character of May, and the upside of a summer in Toronto
Soulpepper’s concert “The Promised Land” explores the mythic American dream in the works of novelist John Steinbeck through song. Our interview with cast member Alana Bridgewater
