Haley McGee explores life’s pivotal moments in new solo show
“About 5 years ago, when I started working on the show, I was curious to create something about how to live without fearing death.” ~ Haley McGee
Soulpepper
“Three Sisters” feels important and immediate, and lingers long after the curtain
“The more modern historical context… enormously enriches the narrative and makes Chekhov’s themes resonate deeply.” Review of Inua Ellams’ “Three Sisters”
Soulpepper’s “De Profundis” is a testament to Oscar Wilde’s legacy and a masterpiece in its own right
“This new musical fantasy transforms Wilde’s eloquent expression of his harrowing experience into a vivid, emotional journey.” Review of De Profundis: Oscar Wilde in Jail
Don’t be late! Make time for Bad Hats’ Alice in Wonderland this holiday season.
“Alice in Wonderland is a full-contact, imagination-intensive and thematically-rich marvel.” Review of Bad Hat’s Alice in Wonderland
How playwright Kat Sandler found a Wildwoman (three, actually) beneath a Disney fairytale
Kat Sandler’s Wildwoman proves “how real-life history really is stranger than fiction”.
Soulpepper’s King Gilgamesh & The Man of the Wild: These Buds are for you
“The magic of the production, which was conceived and authored by Moneka, LaVercombe and Seth Bockley … lies in the way these two stories are made one.” Review of King Gilgamesh & the Man of the Wild
Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage
“And though this is play comes from a distant country (South Africa) and a distant time (1972), we are not permitted to hold ourselves apart from it.” Review of SIZWE BANZE IS DEAD
Soulpepper’s ‘The Seagull’ takes flight in a post-modern blend of magic and absurdity
“The Seagull is a play filled with drama, humour, and more tangled and inescapable relationship issues than a reality TV show.” Review of ‘The Seagull’ on stage at Soulpepper
Shakura Dickson of Soulpepper’s “Billie, Sarah and Ella” in conversation with SesayArts
“Well, it’s always an honour and a challenge to play such an icon.” Interview with Shakura Dickson about Soulpepper’s “Billie, Sarah and Ella: Revolutionary Women of Jazz”
Found in translation: Soulpepper’s ENGLISH probes the limits of language to find humour, warmth and wisdom
“Mining the rich vein of humour that lies beneath the learning of language, the talented cast bring laugh-out-loud life to pronunciation exercises, vocabulary recall games, and staged student conversations…” Review of Sanaz Toossi’s ENGLISH