"Choreographing KIOKU NO MA – 記憶の間 is a means of transmitting myself — who I am, my essence, and how I feel through emotions and experiences." Interview with Yuichiro Inoue
"Delicately interconnected, the festival’s many performances came together to tell a powerful universal story." Emilia Voudouris reflects on the 7th d: mic/fac Festival
"...just because someone doesn't jump to the roof or do the splits—does that touch your heart any less? Interview with Renata Soutter and Liz Winklaar on Propeller Dance's "Flesh & Spokes, and Spasticus"
"The show’s 60 fraught, freighted minutes are immersive and powerful. You can’t take your eyes off Parmentier and Van Houtven." Scott Sneddon's review of US/THEM, on stage at CAA Theatre till March 15
Interview with Alexandra Montagnese about BRAIN STORM, a Lucid Ludic world-premiere production in association with Why Not Theatre
“We are telling someone’s personal story, and we hope the audience will have the curiosity and open mind to delve deeply with us into Jacqueline’s heart, mind and soul.” Interview with Marnie Breckenridge, Tapestry Opera's JACQUELINE
Confounded by all the choices at this year's PROGRESS Festival? Scott Sneddon has shortlisted 5 as his must-see list.
Whether your hope is to laugh or be moved, two shows - Tita Jokes and 49th Day - at Toronto’s Next Stage Theatre Festival hosted by Toronto Fringe at the Factory Theatre have got you covered.
Our review of the relatable and representative "Bend it Like Beckham: the Musical"
Laakkuluk Williamson Bathory performs uaajeerneq "an in-your-face, base, surreal creature performance" in Ikumagialiit, a Indigenous performance art show that debuts at Harbourfront Centre's Festival of Cool: The Arctic.