Can love and growth emerge from a night rooted in cruelty? Thaumatrope Theatre’s rendition of Dogfight: The Musical, currently gracing Toronto’s Harbourfront Centre Theatre, explores this profound inquiry with sensitivity and vigor.
Set on November 21, 1963, the narrative follows three young Marines—Eddie Birdlace, Boland, and Bernstein—as they partake in a “dogfight,” a heartless contest to bring the least attractive date to a party. Eddie’s encounter with Rose Fenny, an unassuming waitress and aspiring musician, sets the stage for an unexpected journey of self-discovery and transformation. Adapted from the 1991 film, the musical features the complex and evocative songs of Benj Pasek and Justin Paul, complemented by Peter Duchan’s compelling book.
Nick Cikoja (Eddie) and Jay Roomes (Rose) deliver compelling performances, navigating their characters’ initial vast disparities with deep vulnerability to reveal a believable connection. As the narrative progresses, their singing voices strengthen and their vocal synergy intensifies, culminating in emotionally charged, wow-inducing solos and duets that resonate with authenticity.
The large ensemble cast excel in both group numbers and individual moments, operating with precision and an infectious exuberance which more than compensates for occasional technical blemishes. Madi Morelli’s portrayal of Marcy, a brash prostitute, is noteworthy. Her commanding stage presence and spirited rendition of “Dogfight” alongside Roomes’ Rose, provide a welcome, scene-stealing jolt of raw female energy (and help us overlook the question of just how she wins the prize for being the least attractive date)
Under the energetic direction of Isabella Cesari, the production makes maximal use of the theatre’s unique architecture. The band is centrally positioned on the first-level catwalk directly above the stage, providing a dynamic auditory backdrop. Meanwhile, characters make dramatic spotlight appearances in vantage points to their right and left, or race along the catwalks ringing the stage area and through the aisles of the theatre. All of this infuses the scenes with spontaneity and vibrancy that balance the focused and more minimalist set design. A standout moment occurs when Eddie and Rose gaze over the San Francisco Bay from the second-level catwalk, creating a breathtaking and vertiginous effect that encapsulates their evolving relationship.
It’s important to note that the production does not shy away from the era’s coarse language and period-specific slurs, offering a stark reminder of past misogynistic, racist and ableist norms. In light of recent political shifts, this portrayal feels like an unfortunately timely reflection on the fragility of social progress.
In essence, Dogfight: The Musical is a testament to the transformative power of empathy and love, urging audiences to confront uncomfortable truths while celebrating the potential for personal growth. This production not only entertains but also challenges viewers to reflect on the enduring impact of human connection.
Aligning with Thaumatrope Theatre’s mission to create opportunities for early-career artists, this ambitious staging in the prominent Harbourfront Centre Theatre exemplifies the company’s energy, enthusiasm, and commitment to high-quality, accessible works. Their bold approach pays off, delivering a performance that is both thought-provoking and emotionally stirring.
© Scott Sneddon, Sesaya Arts Magazine, 2024
