Anthony Goncharov is an emerging force in Toronto’s theatre scene. Anyone who has met him can feel the passion, dedication, and sense of community in everything he touches. As the Artistic Director of Icarus Theatre and a part-time collaborator at Coal Mine Theatre, Goncharov is on a journey into the world of theatre that is as serendipitous as it is inspiring.
Reflecting on his path, Goncharov admits, “this isn’t a story I get to tell often, but I got into theatre accidentally.” It began in high school when his friend auditioned for a play, and Goncharov, with plans to hang out afterward, decided to join him just to pass the time. Little did he know, that decision would change the course of his life. “I ended up getting a small speaking role and was hooked from day one,” he recalls. The experience wasn’t just a fleeting interest; it was the spark that ignited a lifelong passion for theatre.
Goncharov credits his drive to his high school drama teacher, a former professional actor: “He taught us respect and dedication to the craft from the beginning. Without a doubt, he can be credited for giving me the inspiration to pursue a life in the theatre.” His teacher’s influence has shaped Goncharov’s approach to theatre, where he is known for crafting detailed performances and fostering environments that are both fun and inviting.
As the Artistic Director of Icarus Theatre, Goncharov is deeply invested in the company’s growth and creative direction. His latest project is staging and performing in Nick Payne’s critically acclaimed two-person play Constellations, which has long been a dream play for him and Emily Anne Corcoran, who plays Marianne. For Goncharov, the play is a perfect fit for Icarus Theatre right now because “it’s a play that demands dedication, attention to detail, and a capable creative team. With our last year bringing in our core team of three at Icarus (Connor Briggs, Emily, and myself), I figured we were in a primed position to approach this piece with a solid foundation.”
Directed by Connor Briggs, Constellations is an introspective play that delves into the concept of the multiverse by exploring how small, seemingly insignificant choices can lead to dramatically different outcomes. The narrative follows Marianne, a physicist specializing in quantum cosmology, and Roland, a beekeeper, as their relationship unfolds across multiple timelines. What begins as a simple encounter between the two quickly transcends the conventional boundaries of reality, delving into the endless possibilities of their relationship, and prompting reflection on the nature of choice versus destiny. Through a unique non-linear structure, with scenes taking place non-chronologically, the play subtly alters key moments in their journey, highlighting the vast array of potential outcomes each decision can yield. Themes of love, time, fate, and free will are deeply examined as the characters navigate these alternate realities.
The decision to stage Constellations at this time is not just about the play’s technical demands: it’s also about the themes it explores, which Goncharev believes will resonate deeply with Toronto’s diverse audiences. The play’s exploration of existence and free will, as well as the concept of parallel universes, offers a profound commentary on the choices we make and their impact on our lives. “There’s an immense beauty in the way the piece rationalizes existence and free will,” Goncharev reflects. Quoting one of the play’s characters, Marianne, he adds, “If every possible universe exists, then every decision we do and don’t make determines which of those futures we actually end up experiencing.” For Goncharov, this theme is not only intellectually stimulating but emotionally reassuring: “In a world where so much of our life is influenced by circumstances beyond our control, it is reassuring and inspiring to be reminded of the agency and power each of us has in our own lives in such a vivid way.”
The appeal of Constellations is undeniable. Since its premiere at London’s Royal Court Theatre in 2012, the play has garnered widespread acclaim and has been translated into multiple languages, with successful productions in cities such as London, New York, Tokyo, Paris, Berlin, and Madrid, as well as a Toronto production by Canadian Stage in November 2016. “Constellations is, in a way, the ultimate love story, and I think that’s a huge reason for its international success,” explains Goncharov. Unlike other narratives that portray a relationship within a single context, Constellations delves into every possible way things could turn out for the characters Marianne and Roland. “Maybe it’s as simple as they met while already in a relationship, maybe it’s as complex as a whole history of love, betrayal, and forgiveness pouring into one scene,” Goncharev explains. “Seeing Marianne and Roland wrestle through these worlds…gives you a connection with these characters that few other pieces could emulate. I think that’s why people continue to come back to Marianne, Roland, and Constellations.”
However, staging Constellations is not without its challenges. The play’s structure, which involves multiple realities and outcomes, requires precise performances and meticulous attention to detail. “Constellations is also a play that’s very easy to do wrong,” Goncharev points out. “It’s a risky piece, and the nature of it demands everything you do to be highly exposed – there’s no momentum or set to hide behind.” Despite these challenges, Goncharov is confident in the work that he and his team have put into the production. “What you can count on from our production is well-crafted performances, dedication to detail, and the commitment the script deserves,” he assures.
Icarus Theatre, under Goncharov’s leadership, has quickly established itself as a company to watch in Toronto’s theatre scene. Past productions include Kenneth Lonergan’s Lobby Hero and most recently, the Toronto premiere of Eddie Loodmer-Elliott’s Fiji. Known for its innovative and engaging productions, Icarus Theatre is also recognized for its welcoming and inclusive atmosphere. As the company looks ahead to its first full season, Goncharov is excited about the future. “It’s a really exciting time here at Icarus! This production of Constellations is kicking off our first full season, which is a massive step for the company,” he shares.
Another highlight of the upcoming season is the continuation of the “super popular Dark Day Cabaret series”, a monthly event that Icarus hosts “with Toronto’s pro (but off-contract) music theatre talent, backed up by a three-piece band,” Anthony explains. This series has not only provided a platform for talented performers, but has helped to build a strong sense of community within the local theatre scene.
Looking further ahead, Anthony hints at another exciting project in the works for Icarus Theatre. “We have one more play coming up in our season, set to premiere in Spring of 2025. We can’t announce what it is just yet, but it’s one that I’ve been scheming for almost two years now,” he teases. While tight-lipped about the details, Goncharov is confident that this upcoming production will make a significant impact. “I think it’ll rock the theatre scene in Toronto in a very substantial way,” he adds with a hint of excitement.
As Goncharov reflects on his journey and looks forward to the future, one thing is clear: his passion for theatre and his commitment to his craft are unwavering. He is focused not only on producing and performing in high-quality productions, but also on creating opportunities for others to get involved in the theatre community. “I think one thing that people are always shy to ask is how to get involved with the company,” he notes. The answer, according to Goncharov, is simple: “There’s one really easy way to do this, and that’s to meet us! If you’re a singer, reach out and do a cabaret! If you’re a theatre designer or tech, shoot me an email and send me some of your stuff!” Icarus Theatre is always on the lookout for new talent and is eager to collaborate with passionate individuals. “We always have things coming down the pipeline, and we’re constantly meeting and employing new people,” he says.
For Goncharov, the theatre is not just a career: it’s a community – and he and the core team at Icarus Theatre are dedicated to making the company a welcoming space for all. “Emily, Connor, and I are ALWAYS at our shows. Come out, say hi, and tell us who you are! We want to meet you!” he encourages.
As Icarus Theatre grows under Goncharov’s leadership, one thing is certain: the Toronto theatre scene is richer for his accidental – yet clearly destined – journey into theatre.
Constellations runs until August 23, 2024 at Tarragon Theatre Extraspace. Visit icarustheatre.ca to reserve tickets.
© Arpita Ghosal, SesayArts Magazine, 2024
