Emily D’Angelo, COC 2017-2018 Season Launch Gala; photo: Gaetz Photography[/caption]
Emily D’Angelo is on many people’s minds just now.
Last September, I met my friend Ericka for an impromptu breakfast. When our conversation invariably turned to music, she asked if I had heard of a young local singer named Emily D’Angelo. As it happens, I had … and quite recently. Just days before, I had received an email from the Faculty of Music at U of T (where Ms D’Angelo completed her Bachelor of Music in Vocal Performance). Among other news, the email announced the names of students who had graduated with distinction, and noted Ms D’Angelo was the recipient of the coveted Tecumseh Sherman Rogers Graduating Award. Ericka had been Ms D’Angelo’s teacher in grade 2. She was thrilled that the sweet girl she had taught at a public school in a leafy Toronto suburb so many years ago was being recognized for making good on promise she had shown even at that age.
The following week, I was chatting with an undergraduate student enrolled in the same vocal program at the University of Toronto. In speaking about singing techniques, she spontaneously brought up Ms D’Angelo, and hailed her as an exemplary peer, noting “Emily’s amazing.”
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Emily D’Angelo as the Second Lady, Owen McCausland as Tamino, Lauren Segal as the Third Lady and Aviva Fortunata as the First Lady in COC’s The Magic Flute, 2017; photo: Chris Hutcheson[/caption]
And since that time, Ms D’Angelo’s name has popped up semi-regularly in press releases from the Canadian Opera Company (COC): first, to describe this year’s Free Concert Series, in which she (as part of the Ensemble Studio) performs several concerts and the COC School Tour over the course of the season. And then to announce the details of Ariodante, in which she was an understudy to Alice Coote in the title role; and subsequently to announce the COC’s production of The Magic Flute (currently onstage at the Four Seasons Centre), in which she plays the Second Lady.
Ms D’Angelo graduated from university only last June, and already her future is bright. This makes her former teacher Ericka beam: “Lovely girl. She’s a lovely girl from a lovely family. And she deserves it.” I recently had the chance to interview Ms D’Angelo, and her responses to my questions confirm the validity of Ericka’s praise. Critics and reviewers have noted her considerable talent, but what I also notice in her words is an earnest enthusiasm for her chosen career, alongside a grateful humility about her accomplishments, her opportunities and the mentors who have influenced her. When I mention her second-grade teacher’s comment, her response indicates both delight and surprise.
Clearly, she has an enviable ability to create a lasting impression on those who interact with her. They recognize her talent as well as an innate relatability – a vital combination that is as impressive as it is necessary, in a field where travelling and working with a diversity of personalities are the norm. In this light, Ms D’Angelo seems an ideal peer, one who aims high but remains firmly grounded. She may play a diva, but it seems doubtful she’ll become one — making her an artist and role model that aspiring young singers can look up to.
- Is there a concert within the COC’s Free Concert Series that you consider “not to be missed”?
- Congratulations on your professional North American debut with the COC! What goes through your mind in anticipation of your performances this season?
Emily D’Angelo performs with pianist Rashaan Allwood at the Richard Bradshaw Amphitheatre; photo: Karen E. Reeves[/caption]
Thank you! I am already having an incredible experience as an understudy in the production of Ariodante, and am really looking forward to singing the role of Second Lady in The Magic Flute this winter. Ariodante is a phenomenal role, and to be understudying Alice Coote, a truly extraordinary artist, has been surreal. The COC is home to world-class performers and musicians, and being involved in their productions is an amazing opportunity to learn from these great artists.
3. Looking ahead, what role are you dying to play? Ideally, who would share the stage with you?
It’s almost impossible to choose just one… But if I have to choose, Octavian in Strauss’s Der Rosenkavalier is definitely a role I would love to sing. A beautiful character with sublimely gorgeous music. As for with whom I would share the stage, it is a joy to perform alongside ANY talented singer who is passionate and committed to the music and character.
4. Conversely, is there a role you’d rather avoid?
The only reason I would avoid a role is because it is not a good fit for my voice – I am very open to all styles of music and types of characters.
5. You just graduated and have already earned awards and honours galore–and even been listed on CBC’s annual list of Canada’s Hot 30 Classical Musicians Under 30. Clearly, you can sing! What I know about you, though, is personal. My friend and colleague, who taught you in grade 2, describes you as a “lovely girl from a lovely family.” Clearly, you can make an impression, even at the age of 6. What’s one thing that you’d like her (and others who know you from a young age) to know about the now-grown-up Emily, the opera singer?
Well, I’m so pleased to hear that my impression as a 6-year-old was a positive one. I have been very lucky to have had great mentors, role models, and teachers in my life (including my amazing family.) The “grown-up” Emily is… still growing up! Constantly learning, seeking new experiences and knowledge. I’m very happy to get to do what I do because, as a musician there is no “perfect,” no “finished product.” We are always striving to be better – more virtuosic in our musicianship, more honest in our performances, more free in our artistry. It is very humbling, and I am so lucky to be on this journey.
6. What’s a question a writer should never ask an opera singer?
“Why don’t you audition for American Idol?”
News You Can Use
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Lauren Segal as the Third Lady, Emily D’Angelo as the Second Lady, Aviva Fortunata as the First Lady and Andrew Haji as Tamino in the COC’s The Magic Flute, 2017; photo: Michael Cooper[/caption]
What: Selected performances featuring Emily D’Angelo
- Mélodies of the Heart: Emily D’Angelo, Baritone Bruno Roy and pianist Hyejin Kwon perform a recital of French mélodies; February 9, 2017 (part of the COC’s Free Concert Series)
- Biennial Christina and Louis Quilico Awards (7th edition): Artists of the COC Ensemble Studio compete for cash prizes before a panel of judges, performing 2 arias, the first of his or her own choice and a second aria selected by the judges; February 13, 2017, 5:30-7:30 pm (part of the COC’s Free Concert Series)
- An Evening with the Ensemble Studio: Music of Handel, Mozart and Bellini; February 23, 2017
- COC’s The Magic Flute: onstage until February 24, 2017
- Collaborations: Artists of the COC Ensemble Studio and Atelier lyrique de l’Opéra de Montréal; April 27, 2017 (part of the COC’s Free Concert Series)
- Dawn Always Begins in the Bones (world premiere): Artists of the COC Ensemble Studio perform a new song cycle by Canadian composer Ana Sokolović, commissioned by Canadian Art Song Project; May 17, 2017 (part of the COC’s Free Concert Series)
