“shaniqua in abstraction”? More. Many. Magnificent.
“This dense and intense show begs to be seen more than once.” Review of Shaniqua in Abstraction
Theatre
Jadyn Nasato embodies complexity and courage in “Four Minutes Twelve Seconds”
“Cara is such a tough girl. The challenge was in balancing— not to underwhelm or overwhelm her story.” Interview with Jadyn Nasato
What good comes of “Things We Lost in the Fire”
“Along with strong performances, the show boasts high production values.” Review of “Things We Lost in the Fire”
Demented delight awaits in “The House at Poe Corner”
“Woolfe and Babb’s performances are brilliantly macabre, and their puppetry is remarkable.” Review of The House at Poe Corner
Rose Napoli’s “Mad Madge” is the OG 17th-century influencer
“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
“The Inheritance”: A sprawling, stunning saga of love, loss, legacy
“This production might itself be called an inheritance: an immersive gift of understanding, compassion, and humanity that is being shared with the audience.” Review of “The Inheritance”
Disturbing “Fiji” smears sweet romance on a crust of consent
“This play is a slender and more intimate two-hander that clocks in at just 65 minutes, yet manages the neat trick of feeling leisurely and unrushed…” Review of FIJI
Frances Končan gives voices to “Women of the Fur Trade”
“There’s immense merit in reflecting on history through new perspectives.” Interview with Frances Končan
No mystery here: Clue is an incredibly fun show
“Even for those who have never played the game, Clue offers 90 minutes of fast-paced, laugh-a-minute entertainment. ” Review of Clue at The Grand Theatre
“Dana H” makes us voyeurs on the road from hell
“Dana H is a deeply harrowing and profoundly human tale.” Review of Lucas Hnath’s “Dana H”