Demented delight awaits in “The House at Poe Corner”
“Woolfe and Babb’s performances are brilliantly macabre, and their puppetry is remarkable.” Review of The House at Poe Corner
“Woolfe and Babb’s performances are brilliantly macabre, and their puppetry is remarkable.” Review of The House at Poe Corner
“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
“This production might itself be called an inheritance: an immersive gift of understanding, compassion, and humanity that is being shared with the audience.” Review of “The Inheritance”
“This play is a slender and more intimate two-hander that clocks in at just 65 minutes, yet manages the neat trick of feeling leisurely and unrushed…” Review of FIJI
“There’s immense merit in reflecting on history through new perspectives.” Interview with Frances Končan
“Even for those who have never played the game, Clue offers 90 minutes of fast-paced, laugh-a-minute entertainment. ” Review of Clue at The Grand Theatre
“Dana H is a deeply harrowing and profoundly human tale.” Review of Lucas Hnath’s “Dana H”
“The genius of the production lies not just in the interactive format devised by writer-director Justin Lewis and writer Jacob Rajan, but in the depth and nuance that Nagarajan and Rogers bring to their roles.” Review of Mrs. Krishnan’s Party”
“The more modern historical context… enormously enriches the narrative and makes Chekhov’s themes resonate deeply.” Review of Inua Ellams’ “Three Sisters”
“I started writing the show before the pandemic arrived and with how it’s impacted all of our lives, I feel it’s more important than ever to dispel fear and misunderstanding.” Interview with Charlie Petch