Haley McGee explores life’s pivotal moments in new solo show
“About 5 years ago, when I started working on the show, I was curious to create something about how to live without fearing death.” ~ Haley McGee
Theatre
50 years on, “Fresh Ideas in Puppetry” from Puppetmongers Theatre
“When we started playing with puppets as kids, we had no idea this would be our life-long focus.” Ann and David Powell
This play’s the thing: Raoul Bhaneja does Hamlet (solo)
“Theatre can be as simple as a storyteller and an audience.” Interview with Raoul Bhaneja
Emily Dix’s vision has made “The Rear Window” a new classic
Interview with Emily Dix, Artistic Executive Director of Bygone Theatre
How love conquered the “First Métis Man of Odesa”
Interview with Mariya Khomutova and Matthew MacKenzie about their award-winning “First Métis Man of Odesa”
13 years later, Cliff Cardinal’s “Huff” still blows the house down
“Huff remains an important and still-resonant exploration of deep-seated societal ills that are both specific and universal.” Review of “Huff”
Can “Tyson’s Song” inspire new “conversations amongst Black men”?
Interview with Peter N. Bailey about “Tyson’s Song”
See a new production of “Who’s Afraid of Virginia Woolf?”
“Who’s afraid of theatre that challenges, provokes and gets right in your face …” Review of Who’s Afraid of Virginia Woolf?
“Woking Phoenix” is like comfort food at an unpretentious, authentic restaurant
“Welcome to Woking Phoenix! We’re so glad you’re here. Please sit anywhere you’d like.” With these warm words, a Chinese-Canadian
Katherine Cullen’s unusual role in “Death of Walt Disney”
“Cullen delivers a compelling performance which moves from understated and acted upon, to assertive and enraged, and finally to resigned and in control.” Interview with Katherine Cullen