Emily Dix’s vision has made “The Rear Window” a new classic
Interview with Emily Dix, Artistic Executive Director of Bygone Theatre
Theatre
How love conquered the “First Métis Man of Odesa”
Interview with Mariya Khomutova and Matthew MacKenzie about their award-winning “First Métis Man of Odesa”
13 years later, Cliff Cardinal’s “Huff” still blows the house down
“Huff remains an important and still-resonant exploration of deep-seated societal ills that are both specific and universal.” Review of “Huff”
Can “Tyson’s Song” inspire new “conversations amongst Black men”?
Interview with Peter N. Bailey about “Tyson’s Song”
See a new production of “Who’s Afraid of Virginia Woolf?”
“Who’s afraid of theatre that challenges, provokes and gets right in your face …” Review of Who’s Afraid of Virginia Woolf?
“Woking Phoenix” is like comfort food at an unpretentious, authentic restaurant
“Welcome to Woking Phoenix! We’re so glad you’re here. Please sit anywhere you’d like.” With these warm words, a Chinese-Canadian
Katherine Cullen’s unusual role in “Death of Walt Disney”
“Cullen delivers a compelling performance which moves from understated and acted upon, to assertive and enraged, and finally to resigned and in control.” Interview with Katherine Cullen
“shaniqua in abstraction”? More. Many. Magnificent.
“This dense and intense show begs to be seen more than once.” Review of Shaniqua in Abstraction
Jadyn Nasato embodies complexity and courage in “Four Minutes Twelve Seconds”
“Cara is such a tough girl. The challenge was in balancing— not to underwhelm or overwhelm her story.” Interview with Jadyn Nasato
What good comes of “Things We Lost in the Fire”
“Along with strong performances, the show boasts high production values.” Review of “Things We Lost in the Fire”