Pedal-powered laughs make “Three Men on a Bike” an easy ride
“The writing is sharp, the direction is innovative, the performances are captivating.” Review of Three Men on a Bike
Theatre
Director Julie Tomaino bares all about the Capitol Theatre’s “The Full Monty”
“How do we tell the story of how gender stereotypes and toxic masculinity affect everyone?” Interview with Julie Tomaino
Thaumatrope Theatre returns with a new, sporty 2000s “Much Ado About Nothing”
“We like to think that Much Ado’s optimistic ending is also important in a time where our world seems to reward outrage and antagonistic attitudes.” Interview with Isabella Cesari
There’s something for everyone at the 2024 Toronto Fringe Festival
Capsule reviews of Toronto Fringe shows, updated continuously as we see them
Shakura Dickson’s Stella Kowalski simmers with heat and heart
“She loves and accepts her big loves. But she also is not afraid to speak her mind.” Interview with Shakura Dickson, A Streetcar Named Desire
“The Caged Bird Sings” in the Aga Khan Museum courtyard
“The layers of the cage are rooted in the structures that are thrust upon us, as well as the self-imposed structures by which we are trapped” ~ Rouvan Silogix
Rawums (:) defies gravity with puppets, people and music at WeeFestival
Rawums (:) is where “the impossible becomes possible”. Interview with Melanie Florschütz
Haley McGee explores life’s pivotal moments in new solo show
“About 5 years ago, when I started working on the show, I was curious to create something about how to live without fearing death.” ~ Haley McGee
50 years on, “Fresh Ideas in Puppetry” from Puppetmongers Theatre
“When we started playing with puppets as kids, we had no idea this would be our life-long focus.” Ann and David Powell
This play’s the thing: Raoul Bhaneja does Hamlet (solo)
“Theatre can be as simple as a storyteller and an audience.” Interview with Raoul Bhaneja