These Young Ruffians are not “strictly Shakespeare” — by Sayani S-G and Arpita Ghosal
Walk into Toronto’s Withrow Park, and you’ll see and hear the expected: spirited children engaging in summer-camp activities, happy dogs […]
Walk into Toronto’s Withrow Park, and you’ll see and hear the expected: spirited children engaging in summer-camp activities, happy dogs […]
Sarah Murphy-Dyson is one of the most acclaimed Canadian actors to emerge onto the theatre scene in recent years. She currently stars in a double-bill of two George F. Walker plays, Parents Night/The Bigger Issue at Toronto’s Theatre Passe Muraille.
Like the notes of the piano score that begin and end the play, the many themes in Emily’s Piano will resonate and linger long after the curtain, and prompt the quiet reflection that comes from lots of “thinking”.
The Heart of Robin Hood is so infectiously entertaining, we can’t stop seeing it!
Tout à Trac’s unique version Carlo Culodi’s classic novel Pinocchio is now playing to wowed audiences at Toronto’s Young People’s Theatre.
Watching The Sounds of Cracking Bones feels like holding your breath for 70 minutes. It’s gripping, relentless and chilling. One after
Through the use of stories, theatre allows us to explore different perspectives, encourage sharing and open communication, and identify options for change or action for an individual or a group of people. Theatre provides opportunities for personal transformation, in addition to the important artistic and aesthetic purposes it serves in our society. Drama education recognizes and engages the whole person — emotionally, intellectually, physically and socially. Thus, arts education is essential in the healthy development of young learners as they construct their personal identity, and their place in their community and world — not to mention their repertoire and understanding of arts and culture.
If you’re a French-speaking Ontario teen with some Molière in your soul, then directors Guy Mignault and Pierre Simpson want
The Young People’s Theatre has a lot of nerve. The 49th season opener is To Kill a Mockingbird, Christopher Sergel‘s
Beware of the single story. If you know Josée Duranleau only as a Toronto-based bilingual arts publicist, then you don’t have