BLOOD OF OUR SOIL was inspired by Lianna Makuch’s grandmother and the resilience of contemporary citizens affected by the ongoing war Ukraine. Our interview with Lianna, who wrote and performs in the play
The 26 Letter Dance, showing at Young People’s Theatre (YPT) until March 16, has a singularly well-chosen title. The show,
Kat Sandler’s RETREAT, a satire of millennials vying for a job, is on stage at Hart House Theatre March 1-9. Our interview with director Claire Burns and Pearle Harbour, unforgettable as Scoutmaster Candace
“This play… is unfortunately timeless, and so relevant right now.” Interview with Arlen Aguayo Stewart who plays Alex in ARC’s production of Stef Smith’s HUMAN ANIMALS.
“You can expect a warm and inviting space.” Our feature on Shira Leuchter about “Lost Together”, her live art performance with co-creator Michaela Washburn at Progress Festival
Is OTHELLO a racist play or a play about racism? You decide. Shakespeare BASH’d’s new production of OTHELLO runs Feb 5 – 10. We chatted with E.B Smith (Othello) and Catherine Rainville (Desdemona)
There’s something about Mary… Stephen Massicote’s exquisite WWI play MARY’S WEDDING makes its Toronto debut, starring Kate Ross & Fraser Elsdon. Our interview with Kate Ross!
Ellen Denny’s play WONDER combines movement, science and history to tell the story of trailblazing scientist Harriet Brooks, the first female nuclear physicist in Canada and Denny’s great-great aunt.
Scott Sneddon on IPHIGENIA AND THE FURIES (ON TAURIAN LAND): “This inventive and intense work provides an audience-friendly lesson in Greek myth and Greek theatre, conjures a fantastical narrative realized by strong performances,…and surprises with laughter and insight”
How much is too much? Marie Barlizo’s LUCKY draws on the true story of Jennifer Pan to explore the effects of extreme parental expectations on the children of Asian immigrants.
