In Canadian Stage’s Choir Boy, an exceptional ensemble delivers songs and substance
Review of Tarell Alvin McCraney’s CHOIR BOY, presented by Canadian Stage and directed by Mike Payette
Theatre
SesayArts in conversation with Hallie Seline about Howland Company’s new adaptation of THREE SISTERS
“Chekhov requires such bravery and truth….Chekhov requires such bravery and truth. These characters are engaging with massively human questions about their purpose, love, and how to survive immense heartbreak from the world. It was always told to me that Chekhov’s work holds a thin line between humour and heartbreak.” Interview with Hallie Seline about the Howland Company’s THREE SISTERS
Factory Theatre’s The Waltz is a sweet yet substantial pas-de-deux
Review of Marie Beath Badian’s THE WALTZ, a “warm and funny play that explores the experience of two first-generation Filipinx-Canadians”
Intimate yet vast, B&E Theatre’s immersive DOUBT compels and confounds
“Like them, DOUBT is a teaching tale, but it’s far from simple.” Scott Sneddon’s review of B&E Theatre’s DOUBT: A Parable
The Ex-Boyfriend Yard Sale: Formula has never been so unexpected and delightful
“Is it possible to appraise items obtained through a relationship and, in the process, better understand the relationship itself?” Review of Haley McGee’s tour-de-force “The Ex-Boyfriend Yard Sale”
Now prowling at Crow’s Theatre: a tough, magnetic Bengal Tiger at the Baghdad Zoo
“it’s easy to lose yourself entirely in individual scenes which surprise, engross, and enthrall.” Scott Sneddon’s review of the Crow’s Theatre and Modern Times Stage Company production of BENGAL TIGER AT THE BAHGDAD ZOO
Actor Rong Fu enters “The Year of the Cello” with SesayArts Magazine
Interview with actor Rong Fu about the world premiere of “The Year of the Cello” at Theatre Passe Muraille
At Canadian Stage, we have seen the Public Enemy. It is us. Run.
“Canadian Stage’s season-opening production of the play is fresh and wickedly funny.” Review of Olivier Choinière’s PUBLIC ENEMY at Canadian stage
Ins Choi’s Bad Parent delivers big laughs but demands effort. Just like parenting.
Review of Ins Choi’s new play “Bad Parent” now on stage at Soulpepper
Bottling the human condition: Crow’s Theatre choreographs an immersive Uncle Vanya
“…within the walls of the Guloien Theatre, the human condition – in all of its absurdity, pathos, humour and tactility – has been bottled for us exquisitely.” Scott Sneddon’s review of “Uncle Vanya” at Crow’s Theatre