Matteo Esposito is “Sorting It Out” and bringing autism awareness to the New York stage
Autistic playwright Matteo Esposito’s play Sorting It Out has its US premiere in Off-Off-Broadway production by NYC’s Play Readings with Friends
Theatre
The obscure brilliance of Stratford Festival’s Much Ado About Nothing
Sparkling with wit, romance, and immeasurable talent, Much Ado About Nothing is a gem in this year’s Stratford Festival. Running since 1953,
Alicia Plummer takes the stage as Alice in Wonderland at Guild Festival Theatre
“I hope I can inspire little black girls and other kids of colour to get up on stage and be who they want!” Interview with Alicia Plummer, Alice in Wonderland
Take the trip of a lifetime with Ottawa’s production of Around the World in 80 Days
Around the World in 80 Days is, as director Chris Ralph describes it, a book that everyone has heard of
Our (Updated) Toronto Fringe Festival 2023 Recommendation Round Up
Here is a round-up of recommended shows to see at the Toronto Fringe 2023
Causes and “The Effect”: Aviva Armour-Ostroff on Coal Mine Theatre’s newest production
“I am hoping this play can incite discussion, and at the very best, make people feel less alone.” Interview with Aviva Armour-Ostroff, The Effect
Chantal Lim’s ancient dialect is dying! What – and who – will keep it alive?
As for getting into comedy, I didn’t so much decide to pursue it as fall backwards into it…” Interview with imprand storyteller Chantal Lim
Ginette Mohr invites families to “Catch Me in the Kitchen” at the Fringe Festival(s), in audiobooks, and in print
Interview with Ginette Mohr, creator of Catch Me In The Kitchen
Ronnie Marmo brings his acclaimed solo show to Canada
“It’s a massive journey and as an actor, I realize how blessed I am to have something like this to do.” Ronnie Marmo on playing Lenny Bruce in “I’m Not a Comedian…I’m Lenny Bruce”
Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight
“The Fire and Rescue Team have built a playful and profound theatrical experience that takes audiences on a parallel awakening.” Review by Scott Sneddon