Obdurate and heart-rending, L’Amour Telle une Cathédrale Ensevelie explores the migrant experience
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
Theatre
Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep
“Hansen’s brainchild Epidermis Circus is… a spicy puppet cabaret.” Interview with Ingrid Hansen
Soulpepper’s “De Profundis” is a testament to Oscar Wilde’s legacy and a masterpiece in its own right
“This new musical fantasy transforms Wilde’s eloquent expression of his harrowing experience into a vivid, emotional journey.” Review of De Profundis: Oscar Wilde in Jail
Genre-defying “Universal Child Care” packs a poignant wallop
“This show succeeds in making you think deeply about this subject.” Review of Universal Child Care
Coal Mine Theatre’s Dion is a rousing new rock opera
“From the start, Dion’s modern reimagining of The Bacchae rivets.” Review of Dion: A Rock Opera
Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”
“He brings to the task impressive acting chops and stage presence, plus a versatile toolkit …” Review of Macbeth – A Tale told by an Idiot
Playwright David Yee discusses winning the 2023 Siminovitch Prize
Interview with David Yee, 2023 Siminovitch Prize Laureate
Down will come baby: ARC’s “Rockabye” is more than just a fierce, funny takedown of celebrity
“Rockabye is a funny, fast-moving, fast-talking comedy that burrows deeply into the intersection of fame, personal identity, and politics.” Review of Rockabye
Kate Martin on Shakespeare BASH’d’s nuanced and timely The Two Noble Kinsmen
“It is so wonderful to be a part of Two Noble Kinsmen’s ensemble.” Interview with Kate Martin
Canadian Stage’s “The Shadow Whose Prey the Hunter Becomes” puts us in the crosshairs
“The actors’ authenticity – and it’s important to note that they are co-authors of the play – brings a palpable sincerity and dignity to the stage.” Review of The Shadow Whose Prey the Hunter Becomes