“This production of A Christmas Carol is an unusual and truly immersive experience, which has only gotten tighter, warmer and more polished each year since its debut in 2018.” Review of A Christmas Carol
“Alice in Wonderland is a full-contact, imagination-intensive and thematically-rich marvel.” Review of Bad Hat’s Alice in Wonderland
“Perhaps the most intriguing aspect of the play is how we, as an audience, are engaged in a parallel act of eavesdropping.” Review of Voiceless
“In this great story and script, there’s always something new to find.” Interview with John D. Huston
“I honestly can’t imagine a better group of people to spend the holiday season with.” Interview with Justine Christensen, A Christmas Carol
“Because this work is autobiographical, I approach these topics from my own experience…” Interview with Rachel Cairns
“Ang and Atkins have delivered one hell (actually two hells) of a good, immersive experience – the kind of transcendent experience that defines why we go to the theatre.” Review of Monster and Here Lies Henry
“It was the chance to give Ukrainian culture, which faces the threat of erasure, a voice.” Interview with Seana McKenna, Bad Roads
Review of Jani Lauzon’s Prophecy Fog at Coal Mine Theatre
Letters from Max, a ritual is “not a eulogy. It is a living friendship, alive in the pages, in the re-telling.” Interview with Maev Beaty
