“There are episodes of violence that are forms of resistance, and there are episodes of violence that are forms of oppression. It is important for us to differentiate between the two.” ~ Caleigh Crow
The play, by award-winning playwright Anusree Roy, is sweeping in its historical scope — yet devastatingly personal and intimate in its execution.
“At the core of really good writing, it’s about conflict, relationships and dialogue – which stay true whether you have visuals or not.” ~ Chris Tolley
In this (pseudo-) interview, solo sketch comedian Dave Barclay explains the process he used to create his new show “Please Name your baby Dave Barclay.”
What happens when boundary-pushing women in music take centre stage? One answer is Toronto’s Women From Space Festival, a dynamic
“If Adventures can leave audiences with one lingering thought or feeling, it’s the comfort in the unknown. We’re maybe acknowledging a collective comfort in the unknown.” ~ Interview with playwright Gillian Clark
“When I realized he wasn’t going to help me navigate the process, it was upsetting and enraging—but also my writer-brain immediately registered the conflict.” ~ Rachel Cairns, Artist Perspective
“Connection could be short or long. It could be heartfelt, or it could be short-lived. It could be coming with baggage from others, or from my past. It could be light and fluffy – but there’s no one way. This is what is so fascinating for me to capture in Blind Dates.” ~ Interview with Vivian Chong
“I didn’t think twice. I jumped at the chance to play this role… I can’t remember the last time I resonated so deeply with a character.” ~ Interview with Louise Lambert
