Interview with David Fallis about the Toronto Consort’s “Schütz’s Christmas Story” concert, featuring English tenor Charles Daniels and performed on Baroque instruments
“The truth is: this generation consumes media so voraciously, if one wants to reach them, a movie is the way to do it. (And, I argue, a movie musical is an even better way.)” Danny Schur on the movie musical STAND!
Nagata Shachu’s 21st season opens with HIBIKI (reverberations) this Saturday, November 30. Our interview with the ensemble’s Artistic Director Kiyoshi Nagata
“It warms my heart and gives me hope for the future of jazz that there are little people out there connecting with this genre at such a young age.” Our interview with Juno-Award winner Diana Panton on her newest release “A Cheerful Little Earful”
“Dave Malloy has created something really special, and I urge you to come travel through time with us!” Our interview with Kira Guloien on Dave Malloy’s gothic song cycle GHOST QUARTET
“Utterly unlike any other musical I have ever seen, GIRL FROM THE NORTH COUNTRY haunts me”. Scott Sneddon on the Conor McPherson’s and Bob Dylan’s musical, receiving its Canadian premiere at Mirvish Productions
The Quotable Sayak’s new artist review: Dacian Miron’s single “Feelin’ Dangerous”
Oh, the antici- …… pation! Our review of Hart House Theatre’s THE ROCKY HORROR SHOW
Interview with Anton Lipovetsky on co-creating CYGNUS, which is a part of REPRINT, the inaugural production of Launch Pad, the musical-development residency from Musical Stage Company & Yonge Street Theatricals
“It’s fun to experience individual episodes getting a detailed send-up, and the ‘blink-and-you’ll-miss-them’ throwaway references” – but the parody and the laughter stay at the surface. That’s what he said. Scott Sneddon reviews The Office! A Musical Parody
