“Improvisation is a musical language”: SesayArts in Conversation with Roberto Rosenman ~ Arpita Ghosal
Writing an introduction to this interview with Roberto Rosenman has required a feat of focus. Every time I resume my […]
Writing an introduction to this interview with Roberto Rosenman has required a feat of focus. Every time I resume my […]
“It is a wonderful and maybe a dangerous thing”: Rachel Mercer on EMIC’s just-released CD, its launch concert & their upcoming performances
Kami Van Halst has integrity to spare. And, as will soon become obvious, she doesn’t lack for grit, either. When
La Traviata brings acclaimed Canadian bass-baritone Thomas Goerz “home” to COC ~ Arpita Ghosal
Claire Morley’s got a sweet gig. As the new Program Manager for the Canadian Opera Company’s Free Concert Series (FCS),
An accidentally-viewed post yielded a gift times 3 at the Lowville Festival of the Arts, thanks to cellist Rachel Mercer.
COC’s Summer Opera Camp, led by musical director Chris Thornborrow, is now running for the first time out of the spectacular Four Seasons Centre, adding to its allure for aspiring young artists, ages 6-15 years
To hear Brent Carver sing a dozen self-selected songs, ranging from musical-theatre tunes, the American Songbook, jazz standards and contemporary pop songs is a sublime prospect.
The COC’s Youth Opera Lab program is a series of interactive experiential, and multi-component events for youth ages 16-25 to experience various aspects of opera–for free.
A musical version of James and the Giant Peach, directed by Sue Miner is now playing at Toronto’s Young People’s Theatre until January 4.