COC’s Youth Opera Labs offer an unbeatable–and free–opera-tunity ~ Arpita Ghosal
Opera-keen youth can take heart: the COC is still accepting Youth Opera Lab applications for Maometto II. But only until April 10.
Music & Opera
Music & Opera
Music & Opera
How unlikely is this story, really? ~ Arpita Ghosal
On March 18 at The Opera House, you can see The Unlikely Story live– and judge for yourself whether their success story isn’t a bit more likely than their name would lead you to believe
Music & Opera
Jean-Philippe Fortier-Lazure’s voice provides the tenor of his life ~ Arpita Ghosal
By his own admission, Jean-Philippe Fortier-Lazure is “slightly crazy.” Is this because he’s an operatic tenor whose star is rising
Music & Opera
“A Lovely Night”: Cinderella at the Ed Mirvish Theatre ~ Natalie Dewan
This holiday season, I entered a packed Ed Mirvish Theatre, full of couples, families, groups of friends, young, old, boys in
Music & Opera
Double-cast Jacobs make YPT musical too, too fun ~ Arpita Ghosal
If you want something done well, give it to a child. Clearly Allen MacInnis and Jen Shuber know this, as
Music & Opera
NAC Production of Anne and Gilbert is “second to none”! ~ Arpita Ghosal
It will surprise no one to hear that I love Anne of Green Gables. Those who know me know that
Music & Opera
“One word–Joy”: SesayArts in Conversation with Ross Wooldridge ~ Arpita Ghosal
The St George Music Knights Series continues this Friday with “Benny & Artie Swing: A Benny Goodman-Artie Shaw Tribute Concert”
Music & Opera
Go, go, go to the OPO! ~ Arpita Ghosal
November 28 will be a be a history-making day for the Ontario Pops Orchestra: their first performance. Ever. What began
Music & Opera
Ashlie Corcoran is bringing power to the young people, operatically ~ Arpita Ghosal
Quick… what comes to mind when you think of children and opera? If you see anything in your mind’s eye,
Music & Opera
“Improvisation is a musical language”: SesayArts in Conversation with Roberto Rosenman ~ Arpita Ghosal
Writing an introduction to this interview with Roberto Rosenman has required a feat of focus. Every time I resume my