“…just because someone doesn’t jump to the roof or do the splits—does that touch your heart any less? Interview with Renata Soutter and Liz Winklaar on Propeller Dance’s “Flesh & Spokes, and Spasticus”
Our review of the relatable and representative “Bend it Like Beckham: the Musical”
“It’s incredibly vibrant, energetic, FUN, and has surprising emotional depth.” The Quotable Sayak weighs in on The SpongeBob Musical, making a stop in Toronto
Laakkuluk Williamson Bathory performs uaajeerneq “an in-your-face, base, surreal creature performance” in Ikumagialiit, a Indigenous performance art show that debuts at Harbourfront Centre’s Festival of Cool: The Arctic.
SesayArts in conversation with dancer-choreographer Christianne Ullmark about the world premiere of “close encounters in the fifth dimension”, part of Citadel Dance Mix
Directed by Shruti Merchant and choreographed by her sister Vaibhavi Merchant, Taj Express: The Bollywood Musical Revue is making a
“The production is visually appealing, cleverly designed and loaded with humour, charm and unexpected substance.” Arpita Ghosal’s review of YPT’s The Adventures of Pinocchio, running until Jan 5, 2020
“When you come to see it, realize that it will push your emotions and thoughts.” The Quotable Sayak’s review of Kaha:wi Dance Theatre’s THE MUSH HOLE which launched YPT’s 2019-2020 season
DanceWorks’ new season opens with Mînowin, created by the acclaimed British Columbia-based Indigenous dance company Dancers of Damelahamid. Choreographed by
“Anne of Green Gables just seemed to be the perfect literary work for us and our unique way of telling stories through dance.” Our interview with Bengt Jörgen about the landmark world-premiere work, Anne of Green Gables – The Ballet™
