“If an audience is compelled to recognize biases and mistreatment of others and to advocate for any ounce of activism in their community, the impact of the show has been achieved.” Interview with Saccha Dennis
“In Stations, I think that I let the audience come to me, more than I go to them. They come into my house – a house with no roof and no walls. ” Interview with Louise Lecavalier
“This performance seamlessly blends the fluid movements of urban hip-hop, street, and breakdance styles with contemporary and traditional North African dance.” Review of Näss
“The fact that people involved are from different backgrounds, and that the company is called ‘Ballet Black’ forces people to ask why.” Cassa Pancho, AD and Founder of Ballet Black
“Delicately interconnected, the festival’s many performances came together to tell a powerful universal story.” Emilia Voudouris reflects on the 7th d: mic/fac Festival
“This genre-bending show is comedy, dance, drama and a little squirm-in-your-seat truth telling.” Interview with Oshini Wanigasekera
“There was a gap of performance opportunities for mid-level artists. I wanted to pay forward the opportunities that I had received in my career.” Interview with Yvonne Ng, d: mac/fac Festival
“What has surprised me the most about working on this musical is just how funny, dark, and absurdly good it is.” Interview with Tahirih Vejdani
“Amidst its trees lies Dusk Dances’ 30th festival, a week of magic evenings curated by Sylvie Bouchard.”
“With roots firmly in the Tswana dance of her background, Masilo reshapes the original piece to create something entirely new…” Review of Dada Masilo’s The Sacrifice
