Waawaate Fobister’s Omaagomaan is a powerful comment on the resilience of Grassy Narrows
“Whether dancing, clowning or interacting with the audience, the magnetic Fobister commands the stage and draws the audience’s gaze.” Review of Omaagomaan
“Whether dancing, clowning or interacting with the audience, the magnetic Fobister commands the stage and draws the audience’s gaze.” Review of Omaagomaan
“Immigration has been a reality in human history for millions of years, and in our cozy modern lives we often forget that humans are transient beings…” Interview with dancemakers Naishi Wang and Jean Abreu
“I cannot wait for audiences to experience this musical that shows you the possibilities of what musical theatre can be.” In conversation with Camille Eanga-Selenge
“Matt Stodolak and Katie Kerr have carefully constructed a story that we hope leaves the audience in the warmest of holiday spirits.” Interview with Danielle Wade, “Chris, Mrs.”
Interview with choreographer Natasha Powell, just named one of the five winners of the 2023 Johanna Metcalf Performing Arts Prize.
“If an audience is compelled to recognize biases and mistreatment of others and to advocate for any ounce of activism in their community, the impact of the show has been achieved.” Interview with Saccha Dennis
“In Stations, I think that I let the audience come to me, more than I go to them. They come into my house – a house with no roof and no walls. ” Interview with Louise Lecavalier
“This performance seamlessly blends the fluid movements of urban hip-hop, street, and breakdance styles with contemporary and traditional North African dance.” Review of Näss
“The fact that people involved are from different backgrounds, and that the company is called ‘Ballet Black’ forces people to ask why.” Cassa Pancho, AD and Founder of Ballet Black