Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre
“With a patent love of absurdity, they bend, stretch and stomp on Shakespeare’s 400-year-old text in ways that simultaneously mock and celebrate it.” ~ Scott Sneddon
Review: Alumnae’s “Low Pay? Don’t Pay!” pays out big laughs
“Alumnae Theatre’s production of Low Pay? Don’t Pay! is a rare treat: an epic farce that’s both laugh-out-loud funny and deeply resonant with the contemporary milieu and practical challenges of the audience watching it.” ~ Scott Sneddon
Review: All’s NOT well – “1939” shows Truth and prods Reconciliation
“Watching 1939 is a powerful experience: the artistry of the actors’ performances, the sheer weight and scale of the context, and the complexities of this multi-layered production simply refuse to let go when the lights come up.” ~ Scott Sneddon
Review: “Infinite Life” meditates on our pain and prescribes connection
“Infinite Life captivates because it stages… a slow-burning, exquisitely-acted meditation on the human condition.”
Review: Fierce’s odd couple push each other – and the audience
“Ultimately, Fierce is an intense psychological dance that plays with our expectations and perceptions of therapy, human connection and even theatre. “
Review: Transcendent “Salesman in China” closes the sale brilliantly
“This superb show boasts it all… And these elements combine to deliver an utterly unique and thoroughly transcendent theatrical experience.”
Review: For the raw “Girls Unwanted”, fearless audiences wanted
“Ultimately, there is much to chew on from our side of the halfway house…”
Review: Backbeat of grief powers a sensational Hamlet remix
The splendid – and splendidly diverse – cast at once lean into the specificity of their roles in this streamlined story and tap the deeper veins of universality.” Review of Canadian Stage’s Hamlet
Pedal-powered laughs make “Three Men on a Bike” an easy ride
“The writing is sharp, the direction is innovative, the performances are captivating.” Review of Three Men on a Bike
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