The East Side Players…do this complex work justice, filling the intimate Papermill Theatre to bursting with ideas and emotions that are rooted in pointedly contemporary questions of identity and affiliation.” From Scott Sneddon’s review of DISGRACED
“…as an integrated experience, this is a masterwork: intense, devastating, surprisingly funny…” Scott Sneddon reviews Secret Life of a Mother
Well, Scott Sneddon “really, really, really, really, really, really liked The Second City Totally Likes You” and now has the song stuck in his head. Thanks, Second City!
Confounded by all the choices at this year’s PROGRESS Festival? Scott Sneddon has shortlisted 5 as his must-see list.
Scott Sneddon’s review of Horton Foote’s THE TRIP TO BOUNTIFUL, directed by Brenda Darling and on stage at Alumnae Theatre until February 1.
“Utterly unlike any other musical I have ever seen, GIRL FROM THE NORTH COUNTRY haunts me”. Scott Sneddon on the Conor McPherson’s and Bob Dylan’s musical, receiving its Canadian premiere at Mirvish Productions
“It’s fun to experience individual episodes getting a detailed send-up, and the ‘blink-and-you’ll-miss-them’ throwaway references” – but the parody and the laughter stay at the surface. That’s what he said. Scott Sneddon reviews The Office! A Musical Parody
Our conversation with Cara Gee about her return to the stage in Soulpepper’s FOOL FOR LOVE, the character of May, and the upside of a summer in Toronto
The actors are “individually winning, and they mesh brilliantly as an ensemble.” Full details in Scott Sneddon’s review of Madeleine Brown’s NEWS PLAY at the Toronto Fringe
“At its core, Fox Woman is an achingly simple, resonant story told and re-told in deeply powerful ways by two virtuoso performers.” Read Scott Sneddon’s full review of Fox Woman
