COC’s Youth Opera Labs offer an unbeatable–and free–opera-tunity ~ Arpita Ghosal
Opera-keen youth can take heart: the COC is still accepting Youth Opera Lab applications for Maometto II. But only until April 10.
Opera-keen youth can take heart: the COC is still accepting Youth Opera Lab applications for Maometto II. But only until April 10.
Entering its 3rd year this summer, the City Youth Academy comes from a long history of youth programming at Soulpepper, which keeps mentorship at its core.
Confession: my children have never seen a Soulpepper production. And my children’s music teacher, the performer Kyla Cook, has compounded
Claire Morley’s got a sweet gig. As the new Program Manager for the Canadian Opera Company’s Free Concert Series (FCS),
An accidentally-viewed post yielded a gift times 3 at the Lowville Festival of the Arts, thanks to cellist Rachel Mercer.
To hear Brent Carver sing a dozen self-selected songs, ranging from musical-theatre tunes, the American Songbook, jazz standards and contemporary pop songs is a sublime prospect.
A musical version of James and the Giant Peach, directed by Sue Miner is now playing at Toronto’s Young People’s Theatre until January 4.
Through the use of stories, theatre allows us to explore different perspectives, encourage sharing and open communication, and identify options for change or action for an individual or a group of people. Theatre provides opportunities for personal transformation, in addition to the important artistic and aesthetic purposes it serves in our society. Drama education recognizes and engages the whole person — emotionally, intellectually, physically and socially. Thus, arts education is essential in the healthy development of young learners as they construct their personal identity, and their place in their community and world — not to mention their repertoire and understanding of arts and culture.
Acclaimed, award-winning cellist Rachel Mercer, also teaches chamber music at the Faculty of Music, University of Toronto. Rachel spoke with SesayArts about playing in The Poem/the Song, to what she attributes her continued success and where we can expect to hear her next.
If you’re a French-speaking Ontario teen with some Molière in your soul, then directors Guy Mignault and Pierre Simpson want