Sue Miner’s James and the Giant Peach: a toe-tapping thought-provoker
A musical version of James and the Giant Peach, directed by Sue Miner is now playing at Toronto’s Young People’s Theatre until January 4.
A musical version of James and the Giant Peach, directed by Sue Miner is now playing at Toronto’s Young People’s Theatre until January 4.
Through the use of stories, theatre allows us to explore different perspectives, encourage sharing and open communication, and identify options for change or action for an individual or a group of people. Theatre provides opportunities for personal transformation, in addition to the important artistic and aesthetic purposes it serves in our society. Drama education recognizes and engages the whole person — emotionally, intellectually, physically and socially. Thus, arts education is essential in the healthy development of young learners as they construct their personal identity, and their place in their community and world — not to mention their repertoire and understanding of arts and culture.
Acclaimed, award-winning cellist Rachel Mercer, also teaches chamber music at the Faculty of Music, University of Toronto. Rachel spoke with SesayArts about playing in The Poem/the Song, to what she attributes her continued success and where we can expect to hear her next.
If you’re a French-speaking Ontario teen with some Molière in your soul, then directors Guy Mignault and Pierre Simpson want
The Young People’s Theatre has a lot of nerve. The 49th season opener is To Kill a Mockingbird, Christopher Sergel‘s
Beware of the single story. If you know Josée Duranleau only as a Toronto-based bilingual arts publicist, then you don’t have
In an interview with SesayArts, Canadian performer Sunday Muse discusses her prolific career as a stage and voice actor as well as her hilarious new web series Backseat with P and J–and offers sage advice to aspiring performers!
If you’re a Toronto resident, nothing says summer like watching Shakespeare under the stars in High Park. Since last year,
I hope they don’t take this the wrong way, but I just can’t call Erin Bardua and Maureen Batt divas.
When I requested an interview with Anusree Roy, I had imagined a specific process. I’d ask her some questions about her