By providing a warm window into the delightfully quirky world of competitive cow showing, “Cows Come Home” promises its own heartwarming homage to small-town community, female friendship, and following your dreams.
“We’re going to be famous!” Andy Assaf and Samantha Shier set their sights on the US comedy market.
“This play is about consumption and overconsumption… the audience is part of that consumption, which adds another layer to the experience.” ~ Max Ackerman
“Whose lives and rights does the US Constitution serve—and whose do they leave behind? And should we feel better . . . or worse, about the lives and rights protected by Canada’s Constitution?”
“Not A Cult: The Musical, a campy, retro thrill ride blending 80s aesthetics, slasher horror, and dark comedy… dives headfirst into the absurdity and dangers of self-help culture and cult-like devotion – all set to a nostalgic pop soundtrack.”
“These programs feed the company with a community of dancers and choreographers who bring their best, enabling us to continually evolve while fostering a vibrant ecosystem of dance in Canada.” ~ Roberto Campanella
“I remember during the lockdowns, I used to fantasize about being in front of an audience again. I told myself that if I ever got to do it again, I’d never take it for granted.” ~ Elena Eli Belyea
“The musical uses plot, character, and action in a radically different way from the plays most people tend to encounter. It asks the audience to experience the accumulation of details through adjusting their own assumptions, expectations, and internal rhythms.” ~ Ilana Khanin
“There’s a pressure to stay the same, an invisible ask to stunt your own growth to keep the group dynamic intact,… The play definitely explores the cost of holding back essential truths to maintain status quo friendships” ~ Anita Majumdar
