“It was one play pre-pandemic. And it seemed to have more riches after the pandemic. Things we did not see before. And in the light of the current shifting political tides we are experiencing, it makes even more sense …” ~ Alexander Thomas
“While the piece isn’t optimistic about the future, it isn’t overly pessimistic about people, either. It’s a vision of the world as I’d like to see it…” ~ Adam Paolozza
“Personally, it’s a dream come true…. To hear it sung by someone like Adam Jacobs, whose originating version of Proud of Your Boy is really influential for me, is otherworldly.” ~ Interview with Katie Kerr and Matthew Stodolak
“Wouldn’t it be funny if we played twins?…But what if it was their birthday? What if the audience are the party guests?” Interview with S.E. Grummett & Sam Kruger
“As part of Soulpepper’s tradition of inventive musical concerts, ‘Alligator Pie’ is a wonderful example of theatre that seamlessly bridges generations…” ~ Arpita Ghosal
“A core purity of redemptive imagination and honest expression powers Funeral Al Fresco – and the fearlessness of the three performers and their commitment to the premise carry the day.” ~ Arpita Ghosal
“Speaking for myself, I’ve never fit into any mould, and that’s okay… I’ve never wanted to! When you don’t fit in… it means you can stand out! That’s part of what makes her so charming.” ~ Interview with Dominique LeBlanc
“Are we necessarily the sum of our experiences, circumstances, socializations, genetics? Can we fight for the tabula rasa, or are we forever predestined by how and who we were born?” ~ Rouvan Silogix and Rafeh Mahmud
“In each role I play, I want to be able to show the world that representation matters and yes, Rapunzel can be Filipina!” ~ Interview with Lia Luz
“Every word and phrase in this play is a love letter to Toronto and its people. I am endlessly in love with this city and its residents.” Interview with Catherine Maleikova
