With new album “soft winds and roses”, Diana Panton is crafting new stories in jazz
2-time Juno Award-winning Panton’s 11th album soft winds and roses represents both a fresh direction and a natural evolution in her musical journey.
Laugh till “Cows Come Home”: Lindsay Middleton & Katie Uhlmann have new tv show
By providing a warm window into the delightfully quirky world of competitive cow showing, “Cows Come Home” promises its own heartwarming homage to small-town community, female friendship, and following your dreams.
Comedy, craft and career: Andy Assaf and Samantha Shier set sights on new stages
“We’re going to be famous!” Andy Assaf and Samantha Shier set their sights on the US comedy market.
Dandelion Theatre’s “Timon of Athens” is deliciously immersive and eerily timely
“This play is about consumption and overconsumption… the audience is part of that consumption, which adds another layer to the experience.” ~ Max Ackerman
Review: What the Constitution should mean to us: Heidi Schreck’s acclaimed play arrives in Canada
“Whose lives and rights does the US Constitution serve—and whose do they leave behind? And should we feel better . . . or worse, about the lives and rights protected by Canada’s Constitution?”
New “Not A Cult: The Musical” is a darkly humorous, retro journey to ReJoyce Camp Retreat
“Not A Cult: The Musical, a campy, retro thrill ride blending 80s aesthetics, slasher horror, and dark comedy… dives headfirst into the absurdity and dangers of self-help culture and cult-like devotion – all set to a nostalgic pop soundtrack.”
Roberto Campanella & ProArteDanza celebrate two beautiful decades of dance
“These programs feed the company with a community of dancers and choreographers who bring their best, enabling us to continually evolve while fostering a vibrant ecosystem of dance in Canada.” ~ Roberto Campanella
Elena Belyea on crafting solitude, AI, and 90s nostalgia in “I Don’t Even Miss You”
“I remember during the lockdowns, I used to fantasize about being in front of an audience again. I told myself that if I ever got to do it again, I’d never take it for granted.” ~ Elena Eli Belyea
Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage
“The musical uses plot, character, and action in a radically different way from the plays most people tend to encounter. It asks the audience to experience the accumulation of details through adjusting their own assumptions, expectations, and internal rhythms.” ~ Ilana Khanin