“This work is a true expression of what we all lived together in that first year….It is like our diary.” Interview with Ballet Edmonton’s AD Wen Wei Wang
“The theme of forgiveness is what I find most intriguing about this piece.” Interview with Shauna Thompson about Howland Company’s PROGICAL
“Well, it’s always an honour and a challenge to play such an icon.” Interview with Shakura Dickson about Soulpepper’s “Billie, Sarah and Ella: Revolutionary Women of Jazz”
“A novel can be sort of like an historical document. I want us to remember what we do to other people, and that we have the ability to do better.” Interview with bestselling author Deborah Ellis
“McPherson has imbued each man with a distinctive personality, and the show’s all-male ensemble realizes each of them.” Review of Conor McPherson’s “The Seafarer” by Toronto Irish Players
“I create dances about what I am experiencing in my life.” Interview with Christine Friday about “Firewater Thunderbird Rising”
“I was keen to develop a piece that would allow audiences to experience the complexities and nuances inherent in these types of questions and not to be prescriptive or reductive about it.” Interview with David Mesiha about “Same Difference”
“I have witnessed how sharing stories with one another helps us to build relationships and that helps us to learn from one another.” Interview with Sara Florence Davidson about the Sḵ’ad’a Stories Series
“Playing Lear is incredibly challenging and maybe that’s why it’s so attractive to actors.” Interview with Scott Wentworth about performing King Lear
“The piece is very human: three people navigating the desires, challenges, and setbacks of life.” Interview with Throwback Collective about the debut of LIMINAL
