Soprano Anna-Julia David comes full circle for her Opera Atelier debut
“It’s a dream come true to be performing in this show.” Soprano Anna-Julia David
How playwright Kat Sandler found a Wildwoman (three, actually) beneath a Disney fairytale
Kat Sandler’s Wildwoman proves “how real-life history really is stranger than fiction”.
S.E. Grummett discusses the absurd, accessible “one-two punch” of their award-winning show “Something in the Water”
“If I can make you laugh, then I’m one step closer to having you see from my perspective.” S.E. Grummett
In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss
“This installation is an emotional record of that time, of how grief can be funny, absurd, quiet, and calm.” Naomi Jaye
Keith Brown is Absolute Magic: Come see for yourself
“Normally, the unknown is scary. But rather than fear, magic accesses our sense of wonder,” Keith Brown, Absolute Magic
Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”
“I don’t think I’ve ever played someone I disagree with so vehemently before…” Ruth Goodwin, “Heroes of the Fourth Turning”
Wesley Harrison is a voice of inclusion in opera
“My pursuit of opera . . . comes from a place of love for the art form, as well as the goal of inclusion.” Tenor Wesley Harrison, COC
In Emily Pohl-Weary’s new YA mystery “How to be Found”, a Toronto teen risks all for her chosen family
In the YA novel “How to Be Found”, Emily Pohl-Weary uses the mystery of a missing inner-city teenager to explore the complexities of the teenage life.
Fall into reading, and take flight at the 2023 Toronto International Festival of Authors
“There is so much to choose from in this year’s programme…” Interview with Roland Gulliver, Director of TIFA
Marcus Nance breathes new life into The Creature in “Frankenstein Revived”
“I have been called all sorts of names, and have been in situations where I felt unsafe. I have been hurt in ways that made me lash out….I get it.” Interview with Marcus Nance