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Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Arpita GhosalApril 28, 2026Dance & Musical Theatre

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Scott SneddonApril 28, 2026Theatre

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

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Tagore’s poetry gets a powerful reimagining in Sanjukta Banerjee’s “Embodiments”

Tagore’s poetry gets a powerful reimagining in Sanjukta Banerjee’s “Embodiments”

Yamini MenonApril 11, 2025Dance & Musical Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Faith, family, loss and love: Louisa Onome’s Pride and Joy

Faith, family, loss and love: Louisa Onome’s Pride and Joy

Arpita GhosalMay 2, 2024Screen & Words

Trailblazing dancer-choreographer Louise Lecavalier brings Stations to Toronto’s Harbourfront Centre

Trailblazing dancer-choreographer Louise Lecavalier brings Stations to Toronto’s Harbourfront Centre

Arpita GhosalNovember 19, 2023Dance & Musical Theatre

Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight

Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight

Scott SneddonJune 13, 2023Theatre

Found in translation: Soulpepper’s ENGLISH probes the limits of language to find humour, warmth and wisdom

Found in translation: Soulpepper’s ENGLISH probes the limits of language to find humour, warmth and wisdom

Scott SneddonFebruary 20, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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