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Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Scott SneddonApril 16, 2026Theatre

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Arpita GhosalApril 15, 2026Theatre

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Scott SneddonApril 14, 2026Theatre

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Hafsa HoosaneyApril 14, 2026Theatre

Sandra Laronde’s “She Holds Up the Stars” soars big

Sandra Laronde’s “She Holds Up the Stars” soars big

Arpita GhosalApril 12, 2026Music & Opera

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Jasmine Case embraces youth, imagination, and the unexpected in “This Feels Like the End”

Jasmine Case embraces youth, imagination, and the unexpected in “This Feels Like the End”

Arpita GhosalOctober 16, 2024Theatre

Review: Shaw farce “Tons of Money” is tons of funny

Review: Shaw farce “Tons of Money” is tons of funny

Scott SneddonJune 14, 2025Theatre

Review: You’ll struggle to hold applause for spectacular “Wing Chun”

Review: You’ll struggle to hold applause for spectacular “Wing Chun”

Arpita GhosalDecember 22, 2025Dance & Musical Theatre

Pamela Mala Sinha centres Bengali immigrants and created family in Necessary Angel’s “New”

Pamela Mala Sinha centres Bengali immigrants and created family in Necessary Angel’s “New”

Arpita GhosalApril 25, 2023Theatre

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Arpita GhosalMarch 25, 2023Theatre

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Arpita GhosalFebruary 9, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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