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Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Alessandro StracuzziOctober 25, 2026Music & Opera

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Scott SneddonOctober 24, 2026Comedy & Improv

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Natalia MukhinaOctober 22, 2026Theatre

Catalina Margulis her debut novel “Again, Only More Like You”

Catalina Margulis her debut novel “Again, Only More Like You”

Arpita GhosalOctober 21, 2026Screen & Words

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Discover More Posts

Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage

Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage

Arpita GhosalOctober 25, 2024Dance & Musical Theatre

David A. Robertson on new books All the Little Monsters & 52 Ways to Reconcile – and the power of kindness and hope

David A. Robertson on new books All the Little Monsters & 52 Ways to Reconcile – and the power of kindness and hope

Arpita GhosalMay 11, 2025Screen & Words

Mai Nguyen’s “Sunshine Nails” shines with heart and humour

Mai Nguyen’s “Sunshine Nails” shines with heart and humour

Arpita GhosalMay 5, 2024Screen & Words

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Arpita GhosalApril 5, 2023Music & Opera

Take the trip of a lifetime with Ottawa’s production of Around the World in 80 Days

Take the trip of a lifetime with Ottawa’s production of Around the World in 80 Days

Olivia DeSouzaJuly 13, 2023Theatre

Rising-star filmmaker Gursimran Datla builds a career to watch

Rising-star filmmaker Gursimran Datla builds a career to watch

Arpita GhosalApril 10, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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