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Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

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Review: Alumnae’s “Low Pay? Don’t Pay!” pays out big laughs

Review: Alumnae’s “Low Pay? Don’t Pay!” pays out big laughs

Scott SneddonOctober 1, 2024Theatre

Rosie Harbans debuts new choreography “The Fall into Flow” at Yensa Festival

Rosie Harbans debuts new choreography “The Fall into Flow” at Yensa Festival

Arpita GhosalAugust 22, 2024Dance & Musical Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

The Chinese Lady holds up an unflinching mirror – and dares us to look past it

The Chinese Lady holds up an unflinching mirror – and dares us to look past it

Scott SneddonMay 11, 2023Theatre

Friendship and Fluorescence: David di Giovanni and Amanda Cordner discuss their electric new show at Buddies in Bad Times

Friendship and Fluorescence: David di Giovanni and Amanda Cordner discuss their electric new show at Buddies in Bad Times

Arpita GhosalApril 17, 2023Theatre

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Arpita GhosalMay 29, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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