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Review: Canadian Stage’s new production of “Goodnight Desdemona (Good Morning Juliet)” is a sly romp

Review: Canadian Stage’s new production of “Goodnight Desdemona (Good Morning Juliet)” is a sly romp

Arpita GhosalNovember 14, 2026Theatre

Review: “All the Cows Are Dead” carves out something rare and unexpected

Review: “All the Cows Are Dead” carves out something rare and unexpected

Scott SneddonNovember 11, 2026Dance & Musical Theatre

“Lemons … Lemons” is one of the best shows of the year

“Lemons … Lemons” is one of the best shows of the year

Arpita Ghosal and Scott SneddonNovember 11, 2026Theatre

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Arpita GhosalNovember 11, 2026Theatre

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

Arpita GhosalNovember 10, 2026Theatre

Review: Two bunks, one word: “Camp” is devastating and essential

Review: Two bunks, one word: “Camp” is devastating and essential

Scott SneddonNovember 7, 2026Theatre

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Scott SneddonNovember 3, 2026Theatre

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

Scott SneddonNovember 2, 2026Screen & Words

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

Scott SneddonNovember 1, 2026Theatre

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

Arpita GhosalOctober 30, 2026Theatre

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Discover More Posts

See a new production of “Who’s Afraid of Virginia Woolf?”

See a new production of “Who’s Afraid of Virginia Woolf?”

Arpita GhosalApril 25, 2024Theatre

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

Arpita GhosalNovember 10, 2026Theatre

Review: You’ll struggle to hold applause for spectacular “Wing Chun”

Review: You’ll struggle to hold applause for spectacular “Wing Chun”

Arpita GhosalDecember 22, 2025Dance & Musical Theatre

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

SayakJanuary 7, 2023Screen & Words

Let’s get Liminal: Throwdown Collective in conversation with SesayArts

Let’s get Liminal: Throwdown Collective in conversation with SesayArts

Arpita GhosalJanuary 31, 2023Dance & Musical Theatre

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Arpita GhosalApril 5, 2023Music & Opera

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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