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Review: In “The Cull”, an anniversary gift comes with a moral price tag

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Natalia MukhinaOctober 22, 2026Theatre

Catalina Margulis her debut novel “Again, Only More Like You”

Catalina Margulis her debut novel “Again, Only More Like You”

Arpita GhosalOctober 21, 2026Screen & Words

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

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Review: “What the Day Owes to the Night” – a stunning homage to heritage and humanity

Review: “What the Day Owes to the Night” – a stunning homage to heritage and humanity

Arpita GhosalJune 21, 2025Dance & Musical Theatre

“Expect the unexpected” at this year’s Montreal Clown Festival

“Expect the unexpected” at this year’s Montreal Clown Festival

Arpita GhosalApril 5, 2025Comedy & Improv

“Creepy Boys”: A wildly weird birthday bash you’ll never forget

“Creepy Boys”: A wildly weird birthday bash you’ll never forget

Arpita GhosalDecember 20, 2024Comedy & Improv

In a welcome act of fearless overreaching, Dandelion Theatre & Apothecary Theatre re-shape Doctor Faustus for our times

In a welcome act of fearless overreaching, Dandelion Theatre & Apothecary Theatre re-shape Doctor Faustus for our times

Scott SneddonOctober 28, 2023Theatre

Patricia Summersett is a multi-talented Montreal artist with a radiant voice

Patricia Summersett is a multi-talented Montreal artist with a radiant voice

Arpita GhosalAugust 7, 2023Music & Opera

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

Arpita GhosalOctober 20, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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