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Review: “People of the City” come to laugh-filled life before our eyes

Review: “People of the City” come to laugh-filled life before our eyes

Scott SneddonFebruary 27, 2026Comedy & Improv

The remarkable balm of interoception: Maryna Kaminska’s “Inner Garden.”

The remarkable balm of interoception: Maryna Kaminska’s “Inner Garden.”

Alejandra JimenezFebruary 25, 2026Art

Send in the clowns: “Hansal & Geetal” invite you to share their jokes at TOsketchfest

Send in the clowns: “Hansal & Geetal” invite you to share their jokes at TOsketchfest

Guest PostFebruary 24, 2026Comedy & Improv

Review: YOU’ll love “Love You Forever and More Munsch”

Review: YOU’ll love “Love You Forever and More Munsch”

Scott SneddonFebruary 24, 2026Theatre

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

Guest PostFebruary 18, 2026Comedy & Improv

Review: A smouldering “Summer and Smoke” sparks the imagination

Review: A smouldering “Summer and Smoke” sparks the imagination

Scott SneddonFebruary 17, 2026Theatre

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

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Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Scott SneddonFebruary 11, 2024Theatre

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Arpita GhosalJanuary 26, 2026Theatre

Review: “Wonderful Joe” celebrates wonder in a world of loss

Review: “Wonderful Joe” celebrates wonder in a world of loss

Scott SneddonOctober 10, 2024Theatre

The obscure brilliance of Stratford Festival’s Much Ado About Nothing

The obscure brilliance of Stratford Festival’s Much Ado About Nothing

Olivia DeSouzaJuly 21, 2023Theatre

Veylan’s latest production gives voice to the Voiceless

Veylan’s latest production gives voice to the Voiceless

Arpita GhosalDecember 19, 2023Theatre

Inside “Anahita’s Republic”: Actor Sama Mousavi in conversation with SesayArts

Inside “Anahita’s Republic”: Actor Sama Mousavi in conversation with SesayArts

Arpita GhosalMarch 16, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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