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TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

Guest PostFebruary 18, 2026Comedy & Improv

Review: A smouldering “Summer and Smoke” sparks the imagination

Review: A smouldering “Summer and Smoke” sparks the imagination

Scott SneddonFebruary 17, 2026Theatre

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Scott SneddonFebruary 10, 2026Theatre

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Scott SneddonFebruary 8, 2026Theatre

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

Discover More Posts

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Helen Juvonen brings Isle of Demons, based on the true survival story of Marguerite de La Roque, to Toronto

Helen Juvonen brings Isle of Demons, based on the true survival story of Marguerite de La Roque, to Toronto

Arpita GhosalAugust 10, 2024Theatre

Mai Nguyen’s “Sunshine Nails” shines with heart and humour

Mai Nguyen’s “Sunshine Nails” shines with heart and humour

Arpita GhosalMay 5, 2024Screen & Words

Bass-baritone Alex Halliday is a rising star of Canadian opera

Bass-baritone Alex Halliday is a rising star of Canadian opera

Arpita GhosalMay 6, 2023Music & Opera

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Arpita GhosalFebruary 15, 2023Dance & Musical Theatre

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

Scott SneddonMay 14, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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