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Review: “All the Cows Are Dead” carves out something rare and unexpected

Review: “All the Cows Are Dead” carves out something rare and unexpected

Scott SneddonNovember 11, 2026Dance & Musical Theatre

“Lemons … Lemons” is one of the best shows of the year

“Lemons … Lemons” is one of the best shows of the year

Arpita Ghosal and Scott SneddonNovember 11, 2026Theatre

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Arpita GhosalNovember 11, 2026Theatre

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

Arpita GhosalNovember 10, 2026Theatre

Review: Two bunks, one word: “Camp” is devastating and essential

Review: Two bunks, one word: “Camp” is devastating and essential

Scott SneddonNovember 7, 2026Theatre

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Scott SneddonNovember 3, 2026Theatre

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

Scott SneddonNovember 2, 2026Screen & Words

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

Scott SneddonNovember 1, 2026Theatre

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

Arpita GhosalOctober 30, 2026Theatre

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Arpita GhosalOctober 26, 2026Theatre

Discover More Posts

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Natacha Belair has A Stellar Purpose for her award-winning debut novel

Natacha Belair has A Stellar Purpose for her award-winning debut novel

Arpita GhosalMarch 12, 2024Screen & Words

Srutika Sabu: What if the story isn’t done yet?

Srutika Sabu: What if the story isn’t done yet?

Guest PostMay 14, 2025Dance & Musical Theatre

A Chekhovian family reunion: Alumnae Theatre’s ‘Vanya and Sonia and Masha and Spike’

A Chekhovian family reunion: Alumnae Theatre’s ‘Vanya and Sonia and Masha and Spike’

Arpita GhosalJanuary 28, 2023Theatre

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Arpita GhosalNovember 7, 2023Dance & Musical Theatre

Maev Beaty on love, language and connection in Necessary Angel’s “Letters from Max, a ritual”

Maev Beaty on love, language and connection in Necessary Angel’s “Letters from Max, a ritual”

Arpita GhosalNovember 12, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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