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Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Arpita GhosalApril 28, 2026Dance & Musical Theatre

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Scott SneddonApril 28, 2026Theatre

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

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A conversation with Tara Sidhoo Fraser

A conversation with Tara Sidhoo Fraser

Pritha Tiffany PatwaryMay 15, 2024Screen & Words

Sanskruti Marathe and Davinder Malhi’s new play “The Roof Is Leaking” centers Punjabi mothers

Sanskruti Marathe and Davinder Malhi’s new play “The Roof Is Leaking” centers Punjabi mothers

Arpita GhosalMay 1, 2025Theatre

Review: “Heratio” finds new life and laughs in the wake of Hamlet’s carnage

Review: “Heratio” finds new life and laughs in the wake of Hamlet’s carnage

Scott SneddonAugust 14, 2025Theatre

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Denise AlbeanuAugust 9, 2023Theatre

Echoing Crest: Karine Gaulin’s artistic journey and the delight of creating for all ages

Echoing Crest: Karine Gaulin’s artistic journey and the delight of creating for all ages

Arpita GhosalMay 23, 2023Theatre

Indigenous footprints on nature’s path: Louise Zimanyi discusses co-authoring the arresting new picture book “Walking Together”

Indigenous footprints on nature’s path: Louise Zimanyi discusses co-authoring the arresting new picture book “Walking Together”

Arpita GhosalJuly 26, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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