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Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Arpita GhosalOctober 26, 2026Theatre

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Alessandro StracuzziOctober 25, 2026Music & Opera

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Scott SneddonOctober 24, 2026Comedy & Improv

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Natalia MukhinaOctober 22, 2026Theatre

Catalina Margulis her debut novel “Again, Only More Like You”

Catalina Margulis her debut novel “Again, Only More Like You”

Arpita GhosalOctober 21, 2026Screen & Words

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

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“An explosion of dancing” is the best medicine: Comedy Dance Chicago

“An explosion of dancing” is the best medicine: Comedy Dance Chicago

Alejandra JimenezMarch 12, 2025Comedy & Improv / Dance & Musical Theatre

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Arpita GhosalMarch 9, 2026Theatre

From Bonds to Bouffants: How I swapped the city for the cabaret stage

From Bonds to Bouffants: How I swapped the city for the cabaret stage

Guest PostJuly 8, 2025Comedy & Improv

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

Arpita GhosalFebruary 12, 2023Music & Opera

Whimsical and moving, Slava’s Snowshow takes Elgin Theatre audiences by storm

Whimsical and moving, Slava’s Snowshow takes Elgin Theatre audiences by storm

Scott SneddonDecember 27, 2023Theatre

Intimate, immersive and inspired: “A Christmas Carol” haunts the Campbell House Museum

Intimate, immersive and inspired: “A Christmas Carol” haunts the Campbell House Museum

Scott SneddonDecember 24, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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