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Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Alessandro StracuzziJune 12, 2026Theatre

In Ilana Khanin’s latest theatrical experiment, she insists “You Must Change Your Life”

In Ilana Khanin’s latest theatrical experiment, she insists “You Must Change Your Life”

Arpita GhosalJune 9, 2026Theatre

“The Climate Commissions”: what’s theatre got to do with Earth?

“The Climate Commissions”: what’s theatre got to do with Earth?

Alessandro StracuzziJune 9, 2026Theatre

Durae McFarlane on the life-changing kindness of “Primary Trust”

Durae McFarlane on the life-changing kindness of “Primary Trust”

Arpita GhosalJune 9, 2026Theatre

Review: “Tiger Bride” claws its way into your skull, and leaves you dazzled and dazed

Review: “Tiger Bride” claws its way into your skull, and leaves you dazzled and dazed

Scott SneddonJune 5, 2026Dance & Musical Theatre

Review: With practical magic, Stratford’s “The Hobbit” conjures a dazzling but dense Middle-earth

Review: With practical magic, Stratford’s “The Hobbit” conjures a dazzling but dense Middle-earth

Scott SneddonJune 3, 2026Theatre

From 800 pages to pop-up magic: “You’ll See” closes Bealtaine Festival with a family-friendly Joyce

From 800 pages to pop-up magic: “You’ll See” closes Bealtaine Festival with a family-friendly Joyce

Scott SneddonJune 2, 2026Theatre

Review: Stratford’s “Waiting for Godot” challenges a world that’s forgotten how to wait

Review: Stratford’s “Waiting for Godot” challenges a world that’s forgotten how to wait

Scott SneddonJune 1, 2026Theatre

Review: “World On Fire” burns down the fourth wall — and asks what we’ll do with the ashes

Review: “World On Fire” burns down the fourth wall — and asks what we’ll do with the ashes

Scott SneddonMay 29, 2026Theatre

With a focus on human resilience, Anthony Goncharov directs Bowtie’s “Next to Normal”

With a focus on human resilience, Anthony Goncharov directs Bowtie’s “Next to Normal”

Arpita GhosalMay 25, 2026Dance & Musical Theatre

Review: In “bol, brown boy, bol,” belonging is something you practise

Review: In “bol, brown boy, bol,” belonging is something you practise

Alessandro StracuzziMay 23, 2026Theatre

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Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Arpita GhosalJanuary 26, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

Arpita GhosalDecember 18, 2023Theatre

Danielle Wade is thrilled to be home for the brand-new Canadian holiday musical “Chris, Mrs.”

Arpita GhosalDecember 4, 2023Dance & Musical Theatre

Renowned Canadian author Deborah Ellis talks “One More Mountain”, her new Breadwinner novel, with SesayArts

Renowned Canadian author Deborah Ellis talks “One More Mountain”, her new Breadwinner novel, with SesayArts

Arpita GhosalFebruary 28, 2023Screen & Words

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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