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“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

Arpita GhosalOctober 30, 2026Theatre

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Arpita GhosalOctober 26, 2026Theatre

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Alessandro StracuzziOctober 25, 2026Music & Opera

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Scott SneddonOctober 24, 2026Comedy & Improv

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Natalia MukhinaOctober 22, 2026Theatre

Catalina Margulis her debut novel “Again, Only More Like You”

Catalina Margulis her debut novel “Again, Only More Like You”

Arpita GhosalOctober 21, 2026Screen & Words

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

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Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Mayumi Lashbrook curates a celebration of play and joy at Porch View Dances

Mayumi Lashbrook curates a celebration of play and joy at Porch View Dances

Arpita GhosalJuly 17, 2024Dance & Musical Theatre

Review: Shaw Festival’s revival of “Anything Goes” is stunning

Review: Shaw Festival’s revival of “Anything Goes” is stunning

Arpita GhosalJune 18, 2025Dance & Musical Theatre

“The Ballad of Stompin’ Tom” – you’ll be singing all the way back home

“The Ballad of Stompin’ Tom” – you’ll be singing all the way back home

Scott SneddonJune 17, 2023Dance & Musical Theatre

Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”

Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”

Arpita GhosalOctober 6, 2023Theatre

“A Number” marks an unsettling and auspicious debut for That Theatre Company

“A Number” marks an unsettling and auspicious debut for That Theatre Company

Scott SneddonApril 26, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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