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“12 Litres 8800 Steps” – Interdisciplinary Creation: Where Does One Start?

“12 Litres 8800 Steps” – Interdisciplinary Creation: Where Does One Start?

Guest PostApril 30, 2026Theatre

Lindo Forbes brings “The Inscrutable Mr. Yang” to The FOLD

Lindo Forbes brings “The Inscrutable Mr. Yang” to The FOLD

Arpita GhosalApril 30, 2026Screen & Words

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Arpita GhosalApril 28, 2026Dance & Musical Theatre

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Scott SneddonApril 28, 2026Theatre

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Discover More Posts

Nestor Lozano Jr’s Tink brings new dimensions to a reimagined classic, Wendy and Peter Pan

Nestor Lozano Jr’s Tink brings new dimensions to a reimagined classic, Wendy and Peter Pan

Arpita GhosalSeptember 15, 2024Theatre

Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Scott SneddonFebruary 11, 2024Theatre

Review: Icarus Theatre’s DNA burrows itself in the mind

Review: Icarus Theatre’s DNA burrows itself in the mind

Arpita GhosalNovember 11, 2025Theatre

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Arpita GhosalMay 29, 2023Dance & Musical Theatre

Wesley Harrison is a voice of inclusion in opera

Wesley Harrison is a voice of inclusion in opera

Arpita GhosalOctober 5, 2023Music & Opera

“This is a love story”: Shakespeare in Action’s otîhêw re-imagines Shakespeare’s Othello

“This is a love story”: Shakespeare in Action’s otîhêw re-imagines Shakespeare’s Othello

Scott SneddonAugust 14, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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