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In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

Scott SneddonSeptember 20, 2026Theatre

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Discover More Posts

Review: Blyth Festival’s soaring immigrant tale is timely and tuneful

Review: Blyth Festival’s soaring immigrant tale is timely and tuneful

Scott SneddonJuly 5, 2025Dance & Musical Theatre

Fear of wolves and respect for tradition inform David Danzon’s Mukashi, Mukashi

Fear of wolves and respect for tradition inform David Danzon’s Mukashi, Mukashi

Denise AlbeanuSeptember 18, 2024Theatre

Julia McLellan’s “Waitress” at The Grand is strong, sweet, and irresistible

Julia McLellan’s “Waitress” at The Grand is strong, sweet, and irresistible

Arpita GhosalApril 8, 2025Dance & Musical Theatre

Shakura Dickson of Soulpepper’s “Billie, Sarah and Ella” in conversation with SesayArts

Shakura Dickson of Soulpepper’s “Billie, Sarah and Ella” in conversation with SesayArts

Arpita GhosalMarch 3, 2023Music & Opera

Marcus Nance breathes new life into The Creature in “Frankenstein Revived”

Marcus Nance breathes new life into The Creature in “Frankenstein Revived”

Arpita GhosalSeptember 17, 2023Theatre

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Arpita GhosalFebruary 15, 2023Dance & Musical Theatre

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Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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