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Review: Two bunks, one word: “Camp” is devastating and essential

Review: Two bunks, one word: “Camp” is devastating and essential

Scott SneddonNovember 7, 2026Theatre

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Scott SneddonNovember 3, 2026Theatre

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

Scott SneddonNovember 2, 2026Screen & Words

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

Scott SneddonNovember 1, 2026Theatre

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

Arpita GhosalOctober 30, 2026Theatre

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Arpita GhosalOctober 26, 2026Theatre

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Alessandro StracuzziOctober 25, 2026Music & Opera

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Review: Brothers, it’s the award-winning, whole-assed silliness of “Monks”

Scott SneddonOctober 24, 2026Comedy & Improv

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Review: In “The Cull”, an anniversary gift comes with a moral price tag

Natalia MukhinaOctober 22, 2026Theatre

Catalina Margulis her debut novel “Again, Only More Like You”

Catalina Margulis her debut novel “Again, Only More Like You”

Arpita GhosalOctober 21, 2026Screen & Words

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Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Review: Excess and pathos in Opera Atelier’s Baroque “Orpheus”

Alessandro StracuzziOctober 25, 2026Music & Opera

Bea Labikova on the innovation and inclusivity of the “Women From Space” festival

Bea Labikova on the innovation and inclusivity of the “Women From Space” festival

Arpita GhosalMarch 3, 2025Music & Opera / Theatre

“Summer theatre is the happiest place in the world”: Lindsey Middleton is at the County Stage

“Summer theatre is the happiest place in the world”: Lindsey Middleton is at the County Stage

Arpita GhosalAugust 7, 2025Theatre

Soulpepper’s King Gilgamesh & The Man of the Wild: These Buds are for you

Soulpepper’s King Gilgamesh & The Man of the Wild: These Buds are for you

Scott SneddonAugust 3, 2023Theatre

Harini Nagendra unravels mysteries and unearths history in the Bangalore Detectives Club

Harini Nagendra unravels mysteries and unearths history in the Bangalore Detectives Club

Arpita GhosalMay 31, 2023Screen & Words

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Christine Friday discusses “Firewater Thunderbird Rising” with SesayArts

Arpita GhosalFebruary 15, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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