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Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Scott SneddonMarch 26, 2026Theatre

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Arpita GhosalMarch 12, 2026Dance & Musical Theatre

The Things We Learned From Telling Tita Jokes

The Things We Learned From Telling Tita Jokes

Guest PostMarch 11, 2026Comedy & Improv

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Review: “People of the City” come to laugh-filled life before our eyes

Review: “People of the City” come to laugh-filled life before our eyes

Scott SneddonFebruary 27, 2026Comedy & Improv

Sarah Everett’s new novel The Probability of Everything is 100% engrossing and 100% unforgettable

Sarah Everett’s new novel The Probability of Everything is 100% engrossing and 100% unforgettable

Arpita GhosalJanuary 26, 2024Screen & Words

Vivien Endicott-Douglas’ enormous challenge in “Enormity, Girl, and the Earthquake in Her Lungs”

Vivien Endicott-Douglas’ enormous challenge in “Enormity, Girl, and the Earthquake in Her Lungs”

Arpita GhosalSeptember 15, 2025Theatre

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Denise AlbeanuAugust 9, 2023Theatre

Triple threat Celeste Catena’s journey into the arts brings her to Stratford Festival’s A Wrinkle in Time and Rent

Triple threat Celeste Catena’s journey into the arts brings her to Stratford Festival’s A Wrinkle in Time and Rent

Arpita GhosalAugust 2, 2023Theatre

Four years ago, Rachel Cairns went to the doctor to get an abortion. Now she’s given birth to her first play, Hypothetical Baby

Four years ago, Rachel Cairns went to the doctor to get an abortion. Now she’s given birth to her first play, Hypothetical Baby

Arpita GhosalDecember 8, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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