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TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

Guest PostFebruary 18, 2026Comedy & Improv

Review: A smouldering “Summer and Smoke” sparks the imagination

Review: A smouldering “Summer and Smoke” sparks the imagination

Scott SneddonFebruary 17, 2026Theatre

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Scott SneddonFebruary 10, 2026Theatre

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Scott SneddonFebruary 8, 2026Theatre

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

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Noreen Nanja offers a refreshing remix of romance, roots and reckoning

Noreen Nanja offers a refreshing remix of romance, roots and reckoning

Arpita GhosalMay 28, 2025Screen & Words

Review: The Shaw’s “Gnit” is a cheeky, g-nomadic, and meta thought-provoker

Review: The Shaw’s “Gnit” is a cheeky, g-nomadic, and meta thought-provoker

Arpita GhosalJuly 31, 2025Theatre

With new album “soft winds and roses”, Diana Panton is crafting new stories in jazz

With new album “soft winds and roses”, Diana Panton is crafting new stories in jazz

Arpita GhosalNovember 21, 2024Music & Opera

Bam! Pow! Comic Books Live!!! Luis Fernandes and Assembly Theatre hope to hook you with a brand-new theatrical experience

Scott SneddonApril 2, 2023Screen & Words

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Arpita GhosalMarch 25, 2023Theatre

Causes and “The Effect”: Aviva Armour-Ostroff on Coal Mine Theatre’s newest production

Causes and “The Effect”: Aviva Armour-Ostroff on Coal Mine Theatre’s newest production

Arpita GhosalJuly 9, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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