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In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

Scott SneddonSeptember 20, 2026Theatre

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

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This Toronto artist captures the stillness and spirit of the great urban landscape

This Toronto artist captures the stillness and spirit of the great urban landscape

Arpita GhosalFebruary 21, 2025Art

Choreographer Elle Sofe Sara explores Sámi identity and our kinship with nature in Vástádus eana – The Answer Is Land

Choreographer Elle Sofe Sara explores Sámi identity and our kinship with nature in Vástádus eana – The Answer Is Land

Arpita GhosalMarch 6, 2024Dance & Musical Theatre

Review: TIFT’s “Cock”, an in-your-face production at surprising new venue

Review: TIFT’s “Cock”, an in-your-face production at surprising new venue

Scott SneddonJanuary 27, 2025Theatre

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Arpita GhosalJune 24, 2023Screen & Words

Bam! Pow! Comic Books Live!!! Luis Fernandes and Assembly Theatre hope to hook you with a brand-new theatrical experience

Scott SneddonApril 2, 2023Screen & Words

Bone Cage won’t let go – even after you depart the Assembly Theatre

Bone Cage won’t let go – even after you depart the Assembly Theatre

Arpita GhosalMay 14, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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