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Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Scott SneddonApril 16, 2026Theatre

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Arpita GhosalApril 15, 2026Theatre

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Scott SneddonApril 14, 2026Theatre

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Hafsa HoosaneyApril 14, 2026Theatre

Sandra Laronde’s “She Holds Up the Stars” soars big

Sandra Laronde’s “She Holds Up the Stars” soars big

Arpita GhosalApril 12, 2026Music & Opera

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

Arpita GhosalApril 9, 2026Music & Opera

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Arpita GhosalApril 3, 2026Theatre

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Discover More Posts

Review: “What the Day Owes to the Night” – a stunning homage to heritage and humanity

Review: “What the Day Owes to the Night” – a stunning homage to heritage and humanity

Arpita GhosalJune 21, 2025Dance & Musical Theatre

The Road to Production: “Hypothetical Baby” by Rachel Cairns

The Road to Production: “Hypothetical Baby” by Rachel Cairns

Guest ContributorFebruary 17, 2025Theatre

Review: The Canadian premiere of “A Strange Loop” is raw, riveting, and relentlessly honest

Review: The Canadian premiere of “A Strange Loop” is raw, riveting, and relentlessly honest

Arpita GhosalMay 5, 2025Dance & Musical Theatre

Bam! Pow! Comic Books Live!!! Luis Fernandes and Assembly Theatre hope to hook you with a brand-new theatrical experience

Scott SneddonApril 2, 2023Screen & Words

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Arpita GhosalMay 29, 2023Dance & Musical Theatre

Courtney Summers, author of I’M THE GIRL, in conversation with SesayArts

Courtney Summers, author of I’M THE GIRL, in conversation with SesayArts

Arpita GhosalJanuary 2, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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