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Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

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Review: Thaumatrope Theatre’s “Hair” finds continued urgency in our time

Review: Thaumatrope Theatre’s “Hair” finds continued urgency in our time

Arpita GhosalDecember 5, 2025Dance & Musical Theatre

Review: Capitol Theatre’s “Come From Away” shrinks a Broadway blockbuster to amplify its heart

Review: Capitol Theatre’s “Come From Away” shrinks a Broadway blockbuster to amplify its heart

Scott SneddonJuly 15, 2026Dance & Musical Theatre

Risky and thrilling, “The Confidential Musical Theatre Project” returns to Toronto

Risky and thrilling, “The Confidential Musical Theatre Project” returns to Toronto

Arpita GhosalOctober 18, 2025Dance & Musical Theatre

Patricia Summersett is a multi-talented Montreal artist with a radiant voice

Patricia Summersett is a multi-talented Montreal artist with a radiant voice

Arpita GhosalAugust 7, 2023Music & Opera

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Arpita GhosalAugust 22, 2023Dance & Musical Theatre

Tahirih Vejdani is the iconic Audrey in the classic “Little Shop of Horrors”

Tahirih Vejdani is the iconic Audrey in the classic “Little Shop of Horrors”

Arpita GhosalAugust 15, 2023Dance & Musical Theatre

Audience favourites

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ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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