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In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Scott SneddonAugust 22, 2026Theatre

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Arpita GhosalAugust 21, 2026Theatre

In 4 great new plays at MAGDEN Theatre Festival, the producing is the star

In 4 great new plays at MAGDEN Theatre Festival, the producing is the star

Arpita GhosalAugust 20, 2026Theatre

Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell

Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell

Scott SneddonAugust 19, 2026Theatre

“Who’s Gonna Push Your Wheelchair?” Karin Fekko’s answer is funny and authentic

“Who’s Gonna Push Your Wheelchair?” Karin Fekko’s answer is funny and authentic

Arpita GhosalAugust 18, 2026Comedy & Improv

Discover More Posts

Kelly Holiff on becoming Elsa — and why theatre magic still matters

Kelly Holiff on becoming Elsa — and why theatre magic still matters

Arpita GhosalDecember 20, 2025Dance & Musical Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Colleen Furlan on the wonder of becoming Alice in Wonderland

Colleen Furlan on the wonder of becoming Alice in Wonderland

Arpita GhosalMay 17, 2025Theatre

Danielle Wade is thrilled to be home for the brand-new Canadian holiday musical “Chris, Mrs.”

Arpita GhosalDecember 4, 2023Dance & Musical Theatre

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Arpita GhosalOctober 26, 2023Music & Opera

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

Arpita GhosalOctober 20, 2023Screen & Words

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SesayArts Interview with Kelsey Verzotti

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