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Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Discover More Posts

Faith, family, loss and love: Louisa Onome’s Pride and Joy

Faith, family, loss and love: Louisa Onome’s Pride and Joy

Arpita GhosalMay 2, 2024Screen & Words

Review: Mirvish’s “The Outsiders” finds its power in surprising places

Review: Mirvish’s “The Outsiders” finds its power in surprising places

Arpita GhosalJune 24, 2026Dance & Musical Theatre

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Alessandro StracuzziJune 12, 2026Theatre

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Arpita GhosalJune 24, 2023Screen & Words

Gislina Patterson’s “i am your spaniel”: how “stale memories” became the one-of-a-kind drag performance Shakespeare lecture

Gislina Patterson’s “i am your spaniel”: how “stale memories” became the one-of-a-kind drag performance Shakespeare lecture

Denise AlbeanuAugust 8, 2023Theatre

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Scott SneddonJune 9, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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