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Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Scott SneddonApril 16, 2026Theatre

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Arpita GhosalApril 15, 2026Theatre

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In his new film, HAUI is amplifying Aunt Harriet’s voice

In his new film, HAUI is amplifying Aunt Harriet’s voice

Arpita GhosalOctober 1, 2024Screen & Words

Haley McGee explores life’s pivotal moments in new solo show

Haley McGee explores life’s pivotal moments in new solo show

Arpita GhosalMay 31, 2024Theatre

Review: New sleuths, smart design make Shaw’s “Murder-on-the-Lake” a triumph

Review: New sleuths, smart design make Shaw’s “Murder-on-the-Lake” a triumph

Scott SneddonAugust 22, 2025Comedy & Improv

Road trips and the “threads of family”: Inside Amanda Peters’ award-winning page-turner The Berry Pickers

Road trips and the “threads of family”: Inside Amanda Peters’ award-winning page-turner The Berry Pickers

Arpita GhosalDecember 1, 2023Screen & Words

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Arpita GhosalFebruary 9, 2023Screen & Words

In Emily Pohl-Weary’s new YA mystery “How to be Found”, a Toronto teen risks all for her chosen family

In Emily Pohl-Weary’s new YA mystery “How to be Found”, a Toronto teen risks all for her chosen family

Arpita GhosalOctober 2, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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