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Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Scott SneddonApril 16, 2026Theatre

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Arpita GhosalApril 15, 2026Theatre

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”

Scott SneddonApril 14, 2026Theatre

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Hafsa HoosaneyApril 14, 2026Theatre

Sandra Laronde’s “She Holds Up the Stars” soars big

Sandra Laronde’s “She Holds Up the Stars” soars big

Arpita GhosalApril 12, 2026Music & Opera

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

Arpita GhosalApril 9, 2026Music & Opera

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Arpita GhosalApril 3, 2026Theatre

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

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Roberto Campanella & ProArteDanza celebrate two beautiful decades of dance

Roberto Campanella & ProArteDanza celebrate two beautiful decades of dance

Arpita GhosalNovember 5, 2024Dance & Musical Theatre

Uncoloured: Charles Azulay explores identity and resilience in new memoir

Uncoloured: Charles Azulay explores identity and resilience in new memoir

Emilia VoudourisJuly 19, 2024Screen & Words

Review: Shaw Festival’s final trip to Narnia is minimalist and safe

Review: Shaw Festival’s final trip to Narnia is minimalist and safe

Arpita GhosalJune 16, 2025Theatre

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Dawn Jani Birley reinvents the iconic Lady Macbeth in the deaf-led Lady M (Margaret)

Denise AlbeanuAugust 9, 2023Theatre

Inside the Howland Company’s PRODIGAL: Shauna Thompson in conversation with SesayArts

Inside the Howland Company’s PRODIGAL: Shauna Thompson in conversation with SesayArts

Arpita GhosalMarch 4, 2023Theatre

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Spotlight on Eva Foote: Inside the world premiere of musical ‘Kelly v. Kelly”

Arpita GhosalMay 29, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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