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Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Scott SneddonMarch 26, 2026Theatre

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Arpita GhosalMarch 12, 2026Dance & Musical Theatre

The Things We Learned From Telling Tita Jokes

The Things We Learned From Telling Tita Jokes

Guest PostMarch 11, 2026Comedy & Improv

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Review: “Rainbow On Mars” opens new ways of seeing

Review: “Rainbow On Mars” opens new ways of seeing

Arpita GhosalAugust 19, 2025Theatre

Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”

Scott SneddonFebruary 11, 2024Theatre

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Arpita GhosalJanuary 31, 2025Music & Opera

A Chekhovian family reunion: Alumnae Theatre’s ‘Vanya and Sonia and Masha and Spike’

A Chekhovian family reunion: Alumnae Theatre’s ‘Vanya and Sonia and Masha and Spike’

Arpita GhosalJanuary 28, 2023Theatre

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Emilia VoudourisSeptember 3, 2023Dance & Musical Theatre

Fiona Mongillo of GIRLS & BOYS, in conversation with SesayArts

Fiona Mongillo of GIRLS & BOYS, in conversation with SesayArts

Arpita GhosalJanuary 30, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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