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Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Scott SneddonFebruary 10, 2026Theatre

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Scott SneddonFebruary 8, 2026Theatre

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

A new Fringe-style dance festival is delectable “Ripe Fruit”

A new Fringe-style dance festival is delectable “Ripe Fruit”

Arpita GhosalFebruary 3, 2026Dance & Musical Theatre

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Arpita GhosalFebruary 1, 2026Theatre

Discover More Posts

Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage

Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage

Arpita GhosalOctober 25, 2024Dance & Musical Theatre

Anita La Selva brings “bold and daring” steampunk verve to “The Threepenny Opera”

Anita La Selva brings “bold and daring” steampunk verve to “The Threepenny Opera”

Arpita GhosalMay 4, 2025Theatre

Megan McDougall’s debut picture book is rooted in yoga and imagination

Megan McDougall’s debut picture book is rooted in yoga and imagination

Arpita GhosalSeptember 14, 2025Screen & Words

Seana McKenna travels from Stratford to Crow’s – on Bad Roads

Seana McKenna travels from Stratford to Crow’s – on Bad Roads

Arpita GhosalNovember 25, 2023Theatre

Astrid Van Wieren takes the stage in world premiere of “Inge(new) – In search of a musical”

Astrid Van Wieren takes the stage in world premiere of “Inge(new) – In search of a musical”

Arpita GhosalMay 24, 2023Theatre

In conversation with Yvonne Ng, Artistic Director of the 2023 dance: made in canada Festival

In conversation with Yvonne Ng, Artistic Director of the 2023 dance: made in canada Festival

Arpita GhosalAugust 16, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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