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Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Scott SneddonAugust 22, 2026Theatre

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Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Arpita GhosalJune 20, 2026Dance & Musical Theatre

Aga Khan Museum: 10 years new… and not what you think it is!

Aga Khan Museum: 10 years new… and not what you think it is!

Scott SneddonJanuary 6, 2025Art

Keith Brown is Absolute Magic: Come see for yourself

Keith Brown is Absolute Magic: Come see for yourself

Arpita GhosalOctober 9, 2023Art / Theatre

“A Number” marks an unsettling and auspicious debut for That Theatre Company

“A Number” marks an unsettling and auspicious debut for That Theatre Company

Scott SneddonApril 26, 2023Theatre

Crow’s FIFTEEN DOGS leaves guest reviewer Apricot with plenty to chew on

Crow’s FIFTEEN DOGS leaves guest reviewer Apricot with plenty to chew on

Apricot, as told to Scott SneddonJanuary 25, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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