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Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Scott SneddonSeptember 21, 2026Theatre

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

Scott SneddonSeptember 20, 2026Theatre

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

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Big Chick Energy are spreading joy-based humour one sketch at a time

Big Chick Energy are spreading joy-based humour one sketch at a time

Arpita GhosalMarch 4, 2024Comedy & Improv

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Arpita GhosalJanuary 26, 2026Theatre

“It’s a love story”: Fiona Sauder and “A Year with Frog and Toad”

“It’s a love story”: Fiona Sauder and “A Year with Frog and Toad”

Arpita GhosalMay 17, 2024Dance & Musical Theatre

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Scott SneddonJune 9, 2023Theatre

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Arpita GhosalNovember 1, 2023Screen & Words

Pamela Mala Sinha centres Bengali immigrants and created family in Necessary Angel’s “New”

Pamela Mala Sinha centres Bengali immigrants and created family in Necessary Angel’s “New”

Arpita GhosalApril 25, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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