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Review: What the Constitution should mean to us: Heidi Schreck’s acclaimed play arrives in Canada
New “Not A Cult: The Musical” is a darkly humorous, retro journey to ReJoyce Camp Retreat
Roberto Campanella & ProArteDanza celebrate two beautiful decades of dance
Artist Spotlight
What We're Reading
Review: Inventive “Dead Broke” doesn’t cheap out on the chills
Review: “Playing Shylock” . . . and pushing us to be better audiences
Elena Belyea on crafting solitude, AI, and 90s nostalgia in “I Don’t Even Miss You”
Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage
Anita Majumdar on navigating friendship, the complexities of midlife and Toronto living in Rosa Laborde’s new play “Interior Design”
Rakhee Morzaria & Hannan Younis: Brains, wit, and absurdity unite in “I’m with Stewwwww pit”
“If Your Roots Are Intact, No One Can Shake You”: Tawiah M’Carthy on directing new work, “Sankofa: The Soldier’s Tale Retold”
Multi-instrumentalist Andrew Penner brings unique interpretations to “UnCovered: U2 and The Rolling Stones
Matthew Downs is curating passion and perspective at the 9th annual Forest City Film Festival
Jasmine Case embraces youth, imagination, and the unexpected in “This Feels Like the End”
John D. Huston’s “Civilized” confronts the truth about residential school and Canada’s colonial past
Review: Circlesnake’s hilarious “13 Plays About ADHD” puts neurodiversity in focus
Duncan Stenhouse on his love for jazz, opera and new beginnings at the Canadian Opera Company
Review: “Wonderful Joe” celebrates wonder in a world of loss
Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre
Stunning new novel “However Far Away” explores settling and home
“The easy answer is engagement”: Craig Lauzon on comedy, satire and cultural authenticity in “The Thanksgiving Play”
Carlos Rivera’s “Rosa”: A Journey of Survival, Resilience and Renewal
In his new film, HAUI is amplifying Aunt Harriet’s voice
Review: Alumnae’s “Low Pay? Don’t Pay!” pays out big laughs
Review: “SAMCA” is a haunting exploration of womanhood, motherhood and mythology
Amanda Peters’ new story collection avoids “trauma trap” in favour of light and hope
