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Laugh till “Cows Come Home”: Lindsay Middleton & Katie Uhlmann have new tv show
November 19, 2024
Comedy, craft and career: Andy Assaf and Samantha Shier set sights on new stages
November 12, 2024
Big Stuff at Crow’s Theatre: Matt Baram and Naomi Sniekus dig deep, with laughs along the way
November 8, 2024
Artist Spotlight
What We're Reading
“Muhandis”: A dance journey through geometry and space
Dandelion Theatre’s “Timon of Athens” is deliciously immersive and eerily timely
Review: What the Constitution should mean to us: Heidi Schreck’s acclaimed play arrives in Canada
November 6, 2024
New “Not A Cult: The Musical” is a darkly humorous, retro journey to ReJoyce Camp Retreat
November 5, 2024
Roberto Campanella & ProArteDanza celebrate two beautiful decades of dance
November 5, 2024
Review: Inventive “Dead Broke” doesn’t cheap out on the chills
November 4, 2024
Review: “Playing Shylock” . . . and pushing us to be better audiences
November 4, 2024
Elena Belyea on crafting solitude, AI, and 90s nostalgia in “I Don’t Even Miss You”
October 30, 2024
Exploring girlhood and identity: Ilana Khanin’s innovative direction in “I Was Unbecoming Then” at Next Stage
October 25, 2024
Anita Majumdar on navigating friendship, the complexities of midlife and Toronto living in Rosa Laborde’s new play “Interior Design”
October 25, 2024
Rakhee Morzaria & Hannan Younis: Brains, wit, and absurdity unite in “I’m with Stewwwww pit”
October 24, 2024
“If Your Roots Are Intact, No One Can Shake You”: Tawiah M’Carthy on directing new work, “Sankofa: The Soldier’s Tale Retold”
October 19, 2024
Multi-instrumentalist Andrew Penner brings unique interpretations to “UnCovered: U2 and The Rolling Stones
October 18, 2024
Matthew Downs is curating passion and perspective at the 9th annual Forest City Film Festival
October 18, 2024
Jasmine Case embraces youth, imagination, and the unexpected in “This Feels Like the End”
October 16, 2024
John D. Huston’s “Civilized” confronts the truth about residential school and Canada’s colonial past
October 13, 2024
Review: Circlesnake’s hilarious “13 Plays About ADHD” puts neurodiversity in focus
October 13, 2024
Duncan Stenhouse on his love for jazz, opera and new beginnings at the Canadian Opera Company
October 10, 2024
Review: “Wonderful Joe” celebrates wonder in a world of loss
October 10, 2024
Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre
October 7, 2024
Stunning new novel “However Far Away” explores settling and home
October 6, 2024
“The easy answer is engagement”: Craig Lauzon on comedy, satire and cultural authenticity in “The Thanksgiving Play”
October 3, 2024
